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The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
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The Sistine Chapel ceiling (Italian: Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named.
22 de mai. de 2024 · Sistine Chapel, papal chapel in the Vatican Palace that was erected in 1473–81 by the architect Giovanni dei Dolci for Pope Sixtus IV. It is famous for its Renaissance frescoes, the most important of which are the frescoes by Michelangelo on the ceiling and on the west wall behind the altar.
- The Editors of Encyclopaedia Britannica
- Painting The Ceiling
- The Paintings
- The Legacy
Michelangelo had first come to Rome to work on the Pope’s tomb and when Julius asked him to change projects to decorate the ceiling of the Sistine Chapel, the artist was far from happy. He had invested much time and effort in the tomb, and what’s more, he had no experience at all working with frescoes. He was a sculptor, not a painter, and Michelan...
The paintings on the ceiling of the Sistine Chapel are not only a significant milestone in the history of art, but also mark a turning point within Michelangelo’s own oeuvre. The artist’s style developed during the years he spent working on the frescoes. His earlier paintings show the influence of his work with marble, their more formal structures ...
As soon as it was unveiled, Michelangelo’s masterpiece won unparalleled praise, with almost every element emulated and imitated by the subsequent generations of artists. From the controversial ignudito the deceptively two-dimensional architectural backgrounds, later painters, sculptors, and architects looked to the ceiling of the Sistine Chapel for...
- Mia Forbes
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In order to frame the central Old Testament scenes, Michelangelo painted a fictive architectural molding and supporting statues down the length of the chapel. These were painted in grisaille (greyish/monochromatic coloring), which gave them the appearance of concrete fixtures.
