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Os trabalhos mais importantes e representativos desse período, são a famosa Mulher Colher (Spoon Woman) e O Casal (The Couple) . No início da década de 1930, o estilo emergente de Giacometti e sua natureza intransigente, lhe valeram algumas das figuras mais importantes do movimento surrealista, como André Breton, Man Ray e Georges Bataille.
As colheres ritualísticas recorrentes em diversas tribos, inspiram uma de suas primeiras obras de destaque, a "mulher-colher" (1929), admirada devido a simplificação das formas.
Alberto Giacometti 1926/1927. Kunsthaus Zürich. Zurich, Switzerland. This sculpture is a key work of the group from 1925–27 that was inspired by African and other tribal art. The powerful...
Spoon Woman. 1926–27 (cast 1954) Alberto Giacometti. Swiss, 1901–1966. Evoking a female body through simplified shapes that suggest a head, shoulders, a chest, and a wide, concave womb, this sculpture was inspired by a ceremonial ladle created by the Dan communities of Liberia and Côte d’Ivoire.
Created in plaster and later cast in bronze, Spoon Woman is the monumental piece of this period. In this figure, Giacometti interprets the geometry characteristic of Cubism, the stylized forms of African art, and the formal simplicity of European modernism.
Entre suas criações mais conhecidas figuram Torso (1925), A Mulher-colher (1926), Objeto desagradável (1932), Mulher com sua garganta cortada (1932), O palácio às quatro da manhã (1932 ...
This early bronze cast reflects Giacometti's interest in the stylized forms of tribal art and reveals the precision of his compositions. The female figure on the left leans slightly toward the male, a subtle effect that animates the piece as a whole.
