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  1. en.wikipedia.org › wiki › Kings_of_ConvenienceKings of Convenience - Wikipedia

    Kings of Convenience is an indie folk-pop duo from Bergen, Norway, consisting of Erlend Øye and Eirik Glambek Bøe.

  2. pt.wikipedia.org › wiki › Kings_of_ConvenienceKings of Convenience – Wikipédia, a enciclopédia livre

    Kings Of Convenience é um duo folk-pop indie da Noruega. Composto por Erlend Øye e Eirik Glambek Bøe. O grupo musical é famoso por suas melodias de violão e sua influência da bossa nova brasileira. Øye e Bøe são os compositores e intérpretes de todas as faixas.

  3. kingsofconvenience.euKings of Convenience - KOC - Official Site

    The official website of the norwegian band.

  4. www.antena1.com.br › artistas › kings-of-convenienceKings of Convenience - Biografia e discografia | Antena 1

    Kings of Convenience. Erlend Øye e Eirik Glambek, se conheceram ainda na escola, na cidade de Bergen, na Noruega, aos 16 anos. Ambos nasceram no ano de 1975 separados apenas por um mês de diferença. Na ocasião, com mais dois amigos, eles formaram uma banda de rock chamada Skog – "floresta" em norueguês.

  5. en.wikipedia.org › wiki › Peace_or_LovePeace or Love - Wikipedia

    Peace or Love is the fourth studio album by Norwegian indie folk-pop duo Kings of Convenience. Released on 18 June 2021, it is their first album in 12 years. It features two song collaborations with Canadian musician Feist. It was preceded by two singles: "Rocky Trail" and "Fever".

  6. genius.com › artists › Kings-of-convenienceKings of Convenience Lyrics, Songs, and Albums | Genius

    Kings of Convenience is a Norwegian band formed by Erlend Øye and Eirik Glambek Bøe in 1999. The duo is known for their folk acoustic music, with both (Bøe and Øye) sharing vocal.

  7. en.wikipedia.org › wiki › Quiet_Is_the_New_LoudQuiet Is the New Loud - Wikipedia

    Quiet Is the New Loud is the debut album by Norwegian indie pop duo Kings of Convenience, released on 29 January 2001 by Astralwerks . Critical reception. Quiet Is the New Loud received mostly positive reviews from contemporary music critics.