Yahoo Search Busca da Web

Resultado da Busca

  1. Sir John Everett Millais, 1º Baronete de Millais of Palace Gate and Saint Ouen, Jersey (Southampton, 8 de junho de 1829 — Londres, 13 de agosto de 1896) foi um pintor e ilustrador inglês e um dos fundadores da Irmandade Pré-Rafaelita. [1] Uma criança prodígio, aos 11 anos tornou-se o estudante mais jovem a ingressar na Academia Real Inglesa.

  2. 14 de mai. de 2023 · A founding member of the Pre-Raphaelite Brotherhood, Sir John Everett Millais was internationally renowned during his lifetime, and his career culminated in his election as President of the Royal Academy in 1896. As a child, Millais displayed a precocious artistic talent.

  3. Sir John Everett Millais, 1st Baronet PRA (UK: / ˈ m ɪ l eɪ / MIL-ay, US: / m ɪ ˈ l eɪ / mil-AY; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood.

  4. 17 de mar. de 2024 · Sir John Everett Millais, Bt, 1895. Skip navigation Shop. Become a Member. Main menu. Art and artists. Our collection ... Sir John Everett Millais, Bt. 1890.

    • john everett millais 18951
    • john everett millais 18952
    • john everett millais 18953
    • john everett millais 18954
    • john everett millais 18955
  5. Sir John Everett Millais, 1º Baronete de Millais of Palace Gate and Saint Ouen, Jersey (Southampton, 8 de junho de 1829 — Londres, 13 de agosto de 1896) foi um pintor e ilustrador inglês e um dos fundadores da Irmandade Pré-Rafaelita.

    • British
    • Southampton, United Kingdom
  6. 12 de mar. de 2024 · Sir John Everett Millais, 1st Baronet (UK: MIL-ay, US: mil-AY; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools.

  7. Accomplishments. Millais's work as a member of the Pre-Raphaelite Brotherhood offered the first meaningful challenge to the "predictable" art of the Academy and its preference for early Italian Renaissance and Classical art. His paintings were the work of a pious young man with an almost fetishistic attention to detail.