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Cindy Sherman Untitled Film Still #2 1977. Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife.
- Untitled Film Still #2. 1977
Untitled Film Still #2. 1977. Gelatin silver print, 9 1/2 x...
- Untitled Film Still #2. 1977
Cindy Sherman’s Untitled Film Stills comprises of over seventy black and white photographs made between 1977 and 1980. When thinking about this series, some aspects of her entire body of work immediately come to mind: disguise and theatricality, mystery and voyeurism, melancholy and vulnerability.
Untitled #126 • 1983. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Untitled Film Still #2’ was created in 1977 by Cindy Sherman in Feminist Art style.
3 de set. de 2020 · Untitled film stills. by. Sherman, Cindy. Publication date. 1998. Topics. Sherman, Cindy, Photography, Artistic. Publisher. London : Schirmer Art Books.
- The Artist
- Untitled Film Stills
- Significance and Legacy of Untitled Film Stills
- Relevant Sources to Learn More
Born in Glen Ridge, New Jersey, in 1954 and raised in Long Island, Cindy Sherman studied at the Buffalo University College in New York. She had imagined herself as a painter but soon lost interest in the medium, finding it irretrievably unoriginal. She recalled: “There was nothing more to say [through painting], I was meticulously copying other art...
Untitled Film Stills consists of seventy 8×10-inch black-and-white pictures: sixty-nine taken from 1977 to 1980, plus one added later to the series. In each photograph, the artist posed as a different character inspired by female roles in films from the 1950s and 60s; film noir and B-movies, but also Italian Neorealism and the French New Wave. Wear...
Untitled Film Stills made Cindy Sherman’s name and, although some individual photographs have become more iconic than others, the series in its entirety today represents a modern classic. In its trailblazing simplicity, it shows to what extent visual culture – it was mainly television and cinema at the time, but the range is even wider today – affe...
For previous editions of our “Portraits of America” series, see: Grant Wood’s American Gothic You may also like: Five Photography Monographs Everyone Should Know Lost (and Found) Artist Series: Vivian Maier, Street Photographer Staged Photography – Top 10
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Untitled. Sherman made this image in the wake of an astonishingly productive five-year run that yielded both her groundbreaking Untitled Film Stills (1977-80)-faked scenes from imaginary movies in which she was actress, director, and cinematographer-and her controversial follow-up series Centerfolds (1981), which was commissioned, and then ...
Untitled Film Still #2. 1977. Gelatin silver print, 9 1/2 x 7 9/16" (24.1 x 19.2 cm). The Museum of Modern Art, New York. Horace W. Goldsmith Fund through Robert B. Menschel. © 2012 Cindy Sherman.
