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Henri Cartier-Bresson (Chanteloup-en-Brie, 22 de agosto de 1908 — Montjustin, 2 de agosto de 2004) foi um fotógrafo, fotojornalista e desenhista francês. Cartier-Bresson era filho de pais de uma classe média (família de industriais têxteis), relativamente abastada.
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Henri Cartier-Bresson (French: [kaʁtje bʁɛsɔ̃]; August 22,...
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Founding member. Born in Chanteloup, Seine-et-Marne, in 1908, Henri Cartier-Bresson developed a strong fascination with painting early on, particularly with Surrealism.
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Confira um acervo com 300 fotos de Henri Cartier-Bresson. Em cada clique uma descoberta. Através das lentes do francês Henri Cartier-Bresson, o mundo conheceu o seu olhar preciso e precioso – da Europa aos Estados Unidos, da Índia à China – através de suas fotografias deslumbrantes.
- Place de l’Europe, Behind Gare Saint Lazare
- Hyères, France
- Seville
- Italy
- Natcho Aguirre, Santa Clara
- Coronation of King George VI, London
- Juvisy, France
- Henri Matisse, Vence, France
- Shanghai, China
- Alberto Giacometti
If there was one picture to clearly and expressively describe Bresson’s “decisive moment” to an audience adjusting to the emerging technology of the camera, then it’s Place de l’Europe Gare Saint Lazare. Cartier-Bresson’s impulsive masterpiece picturing a man suspended in mid-air as he hops over a large puddle creates a sense of anticipation as he ...
Perched at the top of a spiral staircase in Hyères, on the French Mediterranean coast, Bresson’s picture is a wonderful example of importance of form in a deceptively simple, yet engaging composition. The arching staircase grabs the viewer’s attention as it spirals down to the street where a cyclist, in a blur of momentum, occupies the space betwee...
Honing his ability to seem invisible, which he would fully embrace as a photojournalist during World War II, Cartier-Bresson’s apparent ability to camouflage himself from his subjects ensured a spontaneity to this incongruous photo of children playing among ruined buildings. The year before this shot was taken, Cartier-Bresson had set out on a tour...
Alongside the Impressionist influence of Juvisy (more on that later), Cartier-Bresson also expressed on obvious fondness for Surrealism, which was likely implanted during his museum-filled education in Paris. With the help of his friends, writer André Pieyre de Mandiargues and Surrealist, Léonor Fini, the pair are entwined to form one surreal being...
Following on from the Surrealism of his portrait of André Pieyre de Mandiargues and Léonor Fini intertwined, Cartier-Bresson’s use of anonymity is powerfully used during a trip to Mexico in 1934. This time it’s an unnerving and ambiguous portrait of a half-naked man writhing and contorting in either agony or ecstasy, creating an unsettling image th...
Covering the coronation of King George VI (Queen Elizabeth II’s father) for the French weekly Regard, Cartier-Bresson took a typically humane approach to the assignment. He ignored the procession of the King and carriage in favour of the reaction of the people, much to his employer’s frustration. Focused on an expectant crowd sat on the steps of Tr...
Showcasing Cartier-Bresson’s artistic roots, Juvisy is a scene typical of the Impressionist school and demonstrates the influence of painting in his photography. It could even be a working class alternative to Renoir’s celebrated Luncheon of the Boating Party. And working class was of the essence of this commission from the left-wing newspaper, Ce ...
On the run after escaping a German labor camp during the war, Cartier-Bresson joined an underground organization. The organization assisted prisoners in France when the publisher, Pierre Braun, commissioned him to photograph writers and artists for a book that was never published. This led Cartier-Bresson to some of the most prominent creative figu...
Lifemagazine sent Cartier-Bresson to China to cover the civil war and document the unrest that followed the political transition from the Chinese National Party, Kuomintang, to Communist rule under Mao Zedong and the People’s Liberation Army. The unsettling picture captures the desperation of the time, as people seemingly squeeze into the frame in ...
Sharing their approach to art, Cartier-Bresson and Swiss artist, Alberto Giacomettihad been friends since the mid-1930s. The two shared a world view and an inexhaustible curiosity about human beings. This curiosity of humans is encapsulated in the bustling portrait that is considerably lighter and even wittier in tone compared to his more sombre an...
17 de mar. de 2017 · Nascimento: Henri Cartier-Bresson, 22 de agosto de 1908 (Chanteloup-en-Brie, França). Morte: 3 de agosto de 2004. (Céreste, França) Estilo: “Pai” do fotojornalismo; fotografias de rua; imagética icônica; atenção aos detalhes e à emoção; pioneiro do formato 35mm. Bresson apresentou ao mundo o fotojornalismo.
Henri Cartier-Bresson (Chanteloup-en-Brie, 22 de agosto de 1908 — Montjustin, 3 de agosto de 2004) foi um fotógrafo, fotojornalista e desenhista francês.
