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Jalacy J. "Screamin' Jay" Hawkins [8] (July 18, 1929 – February 12, 2000) was an American singer-songwriter, musician, actor, film producer, and boxer. Famed chiefly for his powerful, shouting vocal delivery and wildly theatrical performances of songs such as " I Put a Spell on You ", he sometimes used macabre props onstage, making ...
- I Put a Spell on You
"I Put a Spell on You" is a 1956 song written and recorded...
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Jalacy Hawkins (18 de julho de 1929, Cleveland, Ohio — 12 de...
- I Put a Spell on You
Jalacy Hawkins (18 de julho de 1929, Cleveland, Ohio — 12 de fevereiro de 2000, Neuilly-sur-Seine, França), mais conhecido como Screamin' Jay Hawkins, foi um músico e ator afro-americano.
"I Put a Spell on You" is a 1956 song written and recorded by "Screamin' Jay" Hawkins. The selection became a classic cult song, covered by a variety of artists. It was Hawkins' greatest commercial success, reportedly surpassing a million copies in sales, [5] [6] even though it failed to make the Billboard pop or R&B charts. [7] [8]
Jalacy Hawkins (Cleveland, Ohio, 18 de julio de 1929 - Neuilly-sur-Seine, Francia, 12 de febrero de 2000), más conocido como Screamin' Jay Hawkins, fue un popular cantante afroamericano estadounidense. Obtuvo un importante éxito durante la explosión del rock a mediados de los años cincuenta.
Jalacy Hawkins, mais conhecido como Screamin' Jay Hawkins, foi um músico e ator afro-americano. Famoso por sua poderosa voz e apresentações teatrais selvagens de músicas como "I Put a Spell on You", Hawkins algumas vezes usou artifícios macabros em seus shows, o que fez dele um dos precursores do shock rock.
Screamin’ Jay Hawkins (* 18. Juli 1929 in Cleveland, Ohio, USA als Jalacy Hawkins; † 12. Februar 2000 in Neuilly-sur-Seine, Frankreich) war ein US-amerikanischer Blues - Musiker, der für seine ausgefallenen Auftritte und Songs wie I Put a Spell on You und Constipation Blues bekannt ist.
11 de fev. de 2021 · Screamin' Jay Hawkins' influence as the grandfather of shock rock is undeniable. From the horrific stage shows of Alice Cooper to the squeals and groans of the Cramps' late frontman Lux Interior, Hawkins provided the blueprint for every band who incorporated macabre theatricality in their music.
