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Coleridge argues that we cannot understand poetry unless we understand what a poet is; and the crucial thing about a poet for Coleridge is his or her access to a creative, esemplastic imagination that is, in essence, divine. As the line from Wordsworth’s Excursion that Coleridge quotes three times makes plain, the Biographia believes
14 de out. de 2023 · biographia literaria CHAPTER I Motives to the present work—Reception of the Author’s first publication—Discipline of his taste at school—Effect of contemporary writers on youthful minds—Bowles’s Sonnets—Comparison between the poets before and since Pope.
- CHAPTER I.
- LOGIC, and the LAWS of UNIVERSAL GRAMMAR;
- SONNET 1.
- That wept and glitter’d in the paly ray:
- SONNET II.
- SONNET III.
- CHAPTER II.
- MAD OX.
- WORDSWORTH’S ROB ROY.
- SONNET 81st.
- FRIEND No. 10.
- CHAPTER III.
- GODS YE WORSHIP."
- OLYMP. OD. I.
- CHAPTER IV.
- Choros Batrachon; Dionusos
- Ch. oude men emas su oantos.
- S.T.C.
- CHAPTER V.
- CHAPTER VI.
- CHAPTER VII.
- MISCELLANEOUS THOUGHTS.
- ARTS OF MEMORY.
- CHAPTER VIII.
- COWLEY.
- CHAPTER IX.
- PARADISE REGAINED.
- WILLIAM LAW.
- SICAL ELEMENTS OF NATURAL PHILOSOPHY," and of his "RELIGION WITHIN THE BOUNDS
- Here on this market−cross aloud I cry:
- Thus cried the God with high imperial tone:
- The genitive and ablative to boot:
- Self−construed, I all other moods decline:
- BARCLAII ARGENIS, p. 71.
- CHAPTER X.
- PARADISE LOST, Book V:
- "WATCHMEN."
- new inundation of persecuting zeal—ESTO
- Where is the place of understanding?
- Whence then cometh wisdom? Where dwelleth understanding?
- JOB, CHAP. 28th
- TRANSLATION.
- VIVENDOQUE SIMUL MORIMUR, RAPIMURQUE MANENDO.
- PARADISE REGAINED.
- TRANSLATION.
- HERDER.
- UNDERSTAND HIS lGNORANCE.
- THERE EXIST THINGS WITHOUT US. As this
- THESIS I.
- THESIS II.
- THESIS III.
- THESIS IV.
- THESIS VI.
- THESIS VII.
- THESIS VIII.
- THESIS IX.
- THESIS X.
- TRANSLATION
- MILTON.
The motives of the present work—Reception of the Author’s first publication—The discipline of his taste at school—The effect of contem− porary writers on youthful minds—Bowles’s sonnets—Comparison between the Poets before and since Mr. Pope. IT has been my lot to have had my name introduced both in conversation, and in print, more frequently than I...
actuated too by my former passion for meta− physical investigations; I labored at a solid foundation, on which permanently to ground my opinions, in the component faculties of the human mind itself, and their comparative dig− nity and importance. According to the faculty or source, from which the pleasure given by any poem or passage was derived, I...
PENSIVE at eve, on the hard world I mused, And my poor heart was sad; so at the MOON I gazed, and sighed, and sighed; for ah how soon Eve saddens into night! mine eyes perused With tearful vacancy the dampy grass
And I did pause me, on my lonely way And mused me, on the wretched ones that pass O’er the bleak heath of sorrow. But alas! Most of myself I thought! when it befel, That the soothe spirit of the breezy wood Breath’d in mine ear: "All this is very well But much of ONE thing, is for NO thing good." Oh my poor heart’s INEXPLICABLE SWELL!
OH I do love thee, meek SIMPLICITY! For of thy lays the lulling simpleness Goes to my heart, and soothes each small distress, Distress tho’ small, yet haply great to me, ‘Tis true on Lady Fortune’s gentlest pad I amble on; and yet I know not why So sad I am! but should a friend and I Frown, pout and part, then I am very sad. And then with sonnets a...
AND this reft house is that, the which he built, Lamented Jack! and here his malt he pil’d, Cautious in vain! these rats, that squeak so wild, Squeak not unconscious of their father’s guilt. Did he not see her gleaming thro’ the glade! Belike ‘twas she, the maiden all forlorn. What tho’ she milk no cow with crumpled horn, Yet, aye she haunts the da...
Supposed irritability of men of Genius—Brought to the test of Facts—Causes and Occasions of the charge—Its Injustice. I have often thought, that it would be neither uninstructive nor unamusing to analyze, and bring forward into distinct consciousness, that complex feeling, with which readers in general take part against the author, in favor of the ...
But where the ideas are vivid, and there exists an endless power of combining and modifying them, the feelings and affections blend more easily and intimately with these ideal creations, than with the objects of the senses; the mind is affected by thoughts, rather than by things; and only then feels the requisite interest even for the most importan...
known to Mr. Pope,* when he asserted, that our great bard "grew immortal in his own "despite." Speaking, of one whom he had cele− brated, and contrasting the duration of his works with that of his personal existence, Shakspeare adds: " Your name from hence immortal life shall have, Tho’ I once gone to all the world must die; The earth can yield me ...
I have taken the first that occurred; but Shaks− peare’s readiness to praise his rivals, ore pleno, and the confidence of his own equality with Mr. Pope was under the common error of his age, an error, far from being sufficiently exploded even at the pre− sent day. It consists (as I explained at large, and proved in detail in my public lectures) in...
during their short−lived success, sensible in spite of themselves on what a shifting foundation it rested, they resent the mere refusal of praise, as a robbery, and at the justest censures kindle at once into violent and undisciplined abuse; till the acute disease changing into chronical, the more deadly as the less violent, they be− come the fit i...
The author’s obligations to critics, and the proba− ble occasion—Principles of modern criticism— Mr. Southey’s works and character. To anonymous critics in reviews, maga− zines, and news−journals of various name and rank, and to satirists with or without a name, in verse or prose, or in verse−text aided by prose−comment, I do seriously believe and ...
establish some points of complete sympathy, some grounds common to both sides, from which to commence its explanation. Still less can I place these attacks to the charge of envy. The few pages, which I have published, are of too distant a date; and the extent of their sale a proof too conclusive against their having been popular at any time; to ren...
Poets and Philosophers, rendered diffident by their very number, addressed themselves to "learned readers ;" then, aimed to conciliate the graces of "the candid reader ;" till, the critic still rising as the author sunk, the amateurs of literature collectively were erected into a muni− cipality of judges, and addressed as THE TOWN! And now finally,...
The lyrical ballads with the preface—Mr. Words− worth’s earlier poems—On fancy and imagi− nation—The investigation of the distinction important to the fine arts. I have wandered far from the object in view, but as I fancied to myself readers who would respect the feelings that had tempted me from *most disinterested and imaginative. It is not howev...
Ch. brekekekex, koax, koax ! D. all exoloisd auto koax. ouden gar esi, e koax. oimozet : ou moi melei. Ch. alla men kekraxomesda goposon e pharugx an emon chandane di emeras brekekekex, koax, koax! D. touto gar ou nikesete.
D. oude men umeis ge de me oudepote kekraxomai gar kan me dei di emeras, eos an umon epikratesoo to Koax! Ch. brekekekex, KOAX, KOAX! During the last year of my residence at Cam− bridge, I became acquainted with Mr. Words− worth’s first publication entitled "Descriptive Sketches;" and seldom, if ever, was the emer− gence of an original poetic geniu...
still remains unpublished, but of which the stanza, and tone of style, were the same as those of the "Female Vagrant" as originally printed in the first volume of the "Lyrical Ballads." There was here, no mark of strained thought, or forced diction, no crowd or turbu− lence of imagery, and, as the poet hath him− self well described in his lines "on...
There have been men in all ages, who have been impelled as by an instinct to propose their own nature as a problem, and who devote their attempts to its solution. The first step was to construct a table of distinctions, which they seem to have formed on the principle of the absence or presence of the WILL. Our various sensations, perceptions, and m...
That Hartley’s system, as far as it differs from that of Aristotle, is neither tenable in theory, nor founded in facts. Of Hartley’s hypothetical vibrations in his hypothetical oscillating ether of the nerves, which is the first and most obvious distinction between his system and that of Aristotle, I shall say little. This, with all other similar a...
Of the necessary consequences of the Hartleian theory—Of the original mistake or equivoca− tion which procured admission for the theory— Memoria Technica. We will pass by the utter incompatibility of such a law (if law it may be called, which would itself be the slave of chances) with even that appearance of rationality forced upon us by the outwar...
The inventor of the watch did not in reality invent it; he only look’d on, while the blind causes, the only true artists, were unfolding themselves. So must it have been too with my friend ALLSTON, when he sketched his pic− ture of the dead man revived by the bones of the prophet Elijah. So must it have been with Mr. SOUTHEY and LORD BYRON, when th...
*a beauty in all composition, and more especially desirable in a close philosophical investigation. I have therefore ha− zarded the word, intensify; though, I confess, it sounds un− couth to my own ear.
The system of DUALISM introduced by Des Cartes—Refined first by Spinoza and after− wards by Leibnitz into the doctrine of Har− monia præstabilta—Hylozoism—Materialism Neither of these systems on any possible theory of association, supplies or supersedes a theory of perception, or explains the form− ation of the associable. To the best of my knowled...
And how came the percepient here? And what is become of the wonder−promising MATTER, that was to perform all these marvels by force of mere figure, weight, and motion? The most consistent proceeding of the dogmatic material− ist is to fall back into the common rank of soul−and−bodyists; to affect the mysterious, and declare the whole process a reve...
Is philosophy possible as a science, and what are its conditions?−−Giordano Bruno—Literary aristocracy, or the existence of a tacit compact among the learned as a privileged order— The author’s obligations to the Mystics;−−to Emanuel Kant—The difference between the letter and the spirit of Kant’s writings, and a vindication of prudence in the teach...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
"Yet after all, I could not but repeat the lines which you had quoted from a MS. poem of your own in the FRIEND, and applied to a work of Mr. Wordsworth’s though with a few of the words altered: "—An orphic tale indeed, "A tale obscure of high and passionate thoughts "To a strange music chaunted!" "Be assured, however, that I look forward anxiously...
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21 de jun. de 2010 · Biographia literaria by Coleridge, Samuel Taylor, 1772-1834; Shawcross, John, b. 1871; St. John, Cynthia Morgan, 1852-1919 fmo; Wordsworth Collection
1 de jul. de 2004 · Biographia Literaria by Samuel Taylor Coleridge. Read now or download (free!) Similar Books. Readers also downloaded… About this eBook. Free kindle book and epub digitized and proofread by volunteers.
- Samuel Taylor Coleridge
- 1817
22 de mai. de 2024 · Quick Reference. A work of philosophical autobiography and Romantic criticism, by S. T. Coleridge, published 1817. Part I is broadly autobiographical describing Coleridge's friendship with Southey and with the Wordsworths at Stowey, and going on to trace his struggle with the ‘dynamic philosophy’ of Kant, Fichte, and Schelling in ...
21 de mar. de 2020 · biographia literaria CHAPTER I Motives to the present work—Reception of the Author's first publication—Discipline of his taste at school—Effect of contemporary writers on & minds—Bowles's Sonnets—Comparison between the poets before and since Pope.
