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  1. Moodle USP: e-Disciplinas

  2. The Oresteia of Aeschylus : Agamemnon Page 4 the thousand-strong Argive fleet, martial aid, war cries clanging loud from their heart, a sound as of eagles trackless in grief for their young 50 ones lost, carried high in the thermal whirl by the stroke of their wings, nest empty below, wasted the lingering labour their young ones cost.

  3. 27 de ago. de 2010 · A reading of 'The Oresteia': The serpent and the eagle -- Agamemnon -- The libation bearers -- Eumenides -- Fragments -- The genealogy of Oresteia. A trilogy of plays dramatizes the murder of Agamemnon by his wife, Clytaemnestra, the revenge of her son, Orestes, and his judgement by the court of Athena. Access-restricted-item.

    • THE ATHENIAN DRAMA
    • Poets, with Commentaries and Explanatory
    • THE ORESTEIA OF AESCHYLUS IN PREPARATION
    • Trinummus of Plautus, and the Adelphi of
    • Roman Comedy.
    • AESCHYLUS
    • Thy drew a spirit glory from the
    • But as the day. Earth showed thee things unseen,
    • As our Immortals trod in old Asgard,
    • I have a silver sea, which needs must shine
    • Go haltfrom a dog's grave, and hell-ward mole
    • CONSIDERING
    • PREFACE
    • The Greek Epic,'
    • The present series is to designed further the
    • Professor U. von Wilamowitz-Moellendorff, and Wecklein. I am under special obligations
    • The sonnet entitled ' Clytemnestra Watch-
    • The Dionysian cult appears to have taken
    • Nysa,'
    • DIONYSUS IN ATTICA
    • Aletis,' meant
    • ' ' Delphk
    • That Dionysus became the great popular
    • First came the Oscophoria (feast of the
    • At the end of autumn, when the wine was

    A Series of Verse Translations from the Greek Dramatic

    Essays, for English Readers EDITED BY GEORGE C. W. WARR, M.A.

    VOLUME II. SOPHOCLES: Oedipus Tyrannus and Coloneus, and jfntigone. By Prof. J. S. PHILLIMORE. With an Introduction on The Greek Theatre. VOLUME III. EURIPIDES. By Prof. GILBERT MURRAY. With an Introduction on The Athenian Society. VOLUME IV.

    Terence. By Prof. WARR and Prof. MURRAY. With an Introduction on Greek and Graeco-

    ' To Aeschylus . son of E of Achens named and lav/ny Marathon. His spirit sheiks from Gela's golden sward 'Brave-mitred Wede . thy death was myrr From. a. photo by D.Anders on. THE ORESTEIA OF

    TRANSLATED AND EXPLAINED BY GEORGE C. W. WARR, M.A. EX-FELLOW OF TRINITY COLLEGE, CAMBRIDGE, PROFESSOR OF CLASSICAL LITERATURE IN KING'S COLLEGE, LONDON WITH ILLUSTRATIONS

    skies, And an air and serene. felt unearthly So reading that which shall be and hath been, Thy vision could transfigure Time, that hies On wings of Love divine, and Man, who dies

    golden The seeds slow with her ripening years ; And lo ! as when she smiles through sunny tears, Building in mist a rainbow purple bright

    Behind her of veil beauty, painter-bard, Thou sawest Goo"s fairface, that gave thee light.

    With purplefor that rare my daughter's sake ; And thou, Aegisthus, for thy kin shalt slake Thy sword's long thirst, when I incarnadine The bowl that blends my heart ofhate with thine. So let yon winfry heaven watch, nor break In wrath but ; burn, Selene, burn for him, Tea, him light to Death's bed-rite. He shall wive With Furies to strong scatter l...

    Accursed. Then, lest he taint or thou thee, shrive, Hide in the wrack, and beam upon my soul. vii

    offered by the combination of transla- tion with commentary, it is strange that the field of Greek and Roman literature has been so far neglected in this respect that the classics the basis of literary education in our schools and colleges are still, so to speak, sealed books for all but students of Greek and Latin. By those who do not possess the ...

    life, so as to make the ancient literature a permanent possession. Translations on these lines from the Greek have the further recom- mendation that fill they go far to the gap and bring continuity into the classical work of the ' modern side,' which is restricted to Latin. The deficiency has been made good recently, in the Homeric sphere, by Dr. L...

    in the series ' entitled The Dawn of European Literature.'

    study of the highly characteristic and complex phases of Greek life and thought embodied in the Attic drama, a province of no less im-portance than that of the Epic poetry, and demanding even fuller elucidation, permeated as it is by a unfamiliar to modern spirit ideas, and a presupposing mass of tradition, with-out which much of its human interest...

    Xll PREFACE to Dr. Carl Jacobsen, of for Copenhagen, photographs of two reliefs in his important

    ' ing is suggested by Lord Leighton's picture, now in Leighton House, Kensington.

    root in two parts of Attica. It grew up among the farmers and herdsmen of the highlands (Diacria), especially in the deme of Icaria, and it entered from Eleutherae at the foot of Cithaeron on the Boeotian frontier. From the latter region Dionysus brought something of the sanctity, which drew the women to his ' ' on the sacred mountain. He had orgie...

    it may be similarly understood as descriptive of watery mountain slopes and de- noting as a whole the 'sky-stream,' fertilising all the greenwood with moisture. But he was very closely linked with his peculiar tree, the

    xix vine, and even imagined as residing in it (endendros}. The rustic worship gave birth to legends such as that of ' Icarius,' who was said to have first received the god's and to have gift, ' ' perished through the madness of drunken boors. The story was, however, expanded to * ' account for a primitive swing festival (aiora\ at which women sang ...

    ' sinner,' and the swinging was but the survival of a wave-offering to expiate some sacrilege : accord- ingly a

    version made her a daughter of Aegisthus and Clytemnestra, and repre- sented her as hanging herself in despair on the acquittal of Orestes at Athens !

    god of Attica is seen fact, every from the that month but one, from autumn to spring, had its festival in his honour.

    grape-gathering), when vine-shoots with the newly ripened grapes upon them were carried by well-born youths, appointed by all the tribes, in a foot-race from the ancient temple of Dionysus to a sanctuary of Athena by Phaleron, the old harbour. A festive procession, which followed, commemorated Theseus' return from xx THE RISE OF GREEK TRAGEDY Crete...

    first tasted, there were the Rural Dionysia the oldest of all the feasts throughout the country. The favourite sport was the ascolia, or dancing with one leg on greased bags of inflated goat's-hide. There were singing processions of the tribesmen to the altars of the god, where goats were sacrificed. Aristophanes in the Acharnians (240 ff.) depicts...

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  4. www.gutenberg.net.au › ebooks07 › 0700021hThe Oresteia

    Read the full text of the ancient Greek tragedy The Oresteia, a trilogy of plays by Aeschylus. The Oresteia explores the themes of revenge, justice, and fate in the House of Atreus.

  5. 7 de mai. de 2021 · The Oresteia. "The Orestia--Agamemnon, Choephori, and The Eumenides--depicts the downfall of the house of Atreus: after King Agamemnon is murdered by Clytemnestra, their son, Orestes, is commanded by Apollo to avenge the crime by killing his mother, and he does so, bringing on himself the wrath of the Furies and the judgment of Athens.

  6. Oréstia é uma trilogia composta pelas peças Agamênon, Coéforas e Eumênides; foi encenada pela primeira vez em 458 a.C., sendo a vencedora do primeiro prêmio nas festas dionisíacas de Atenas. A primeira parte, Agamênon, mostra a volta desse personagem da guerra de Troia, na qual saiu-se bem-sucedido após matar a sua própria filha ...