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"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
- Martin Heidegger
- 1950
The Origin of the Work of Arta Originb means here that from where and through which a thing is what it is and how it is. That which something is, as it is, we call its nature [Wesen]. The origin of something is the source of its nature. The question of the origin of the artwork asks about the source of its nature. According to the
4 de fev. de 2010 · In “The Origin of the Work of Art,” Heidegger suggests that modern subjectivism and late-modern enframing can be understood as symptoms of Western humanity’s continuing inability to accept our defining existential finitude.
At first, the essay, Heidegger departed from earlier theories concerning the essence of art, re- such a question appears elementary; the source of the art work, of course, is the art- jecting the notion of art as reflection or imi- ist.
“The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
- Jonathan Dronsfield
- 2009
Heidegger conceives truth always in aletheia, unhiddenness, the unhiddenness of existing reality, Heidegger can conclude: By revealing the true nature or or, generally speaking, of existing reality, art establishes work of art. Truth is conceived here as something that place.
‘The Origin of the Work of Art ’: Heidegger. Patrick Hutchings. Published online: 13 September 2012 Springer Science+Business Media B.V. 2012. Abstract. Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'.
