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He starts off, in his career and in his quotation, making art out of his own body (performance pieces, films of his body, casts of his body parts). But as his career developed, he began wanting to make art out of the viewer’s body—out of your body.
- Interning at The National Portrait Gallery
History and Publications: In-Person The History and...
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The Courtyard Café - National Portrait Gallery
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Children and families are invited to learn, play and create...
- Interning at The National Portrait Gallery
Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives near Galisteo, New Mexico.
Bruce Nauman (6 de Dezembro de 1941, Fort Wayne) é um premiado artista estadunidense que iniciou sua carreira durante a década de 1960. No âmbito arte contemporânea, Nauman é autor de obras em neón, vídeos e instalações sonoras, já tendo sido agraciado por um Leão de Ouro.
- American
- Fort Wayne, Indiana, United States
Between 1966 and 1970, he made several videos, in which he used his body to explore the potentials of art and the role of the artist, and to investigate psychological states and behavioural codes. Much of his work is characterized by an interest in language, often manifesting itself as visual puns.
15 de out. de 2018 · Given an empty studio in Southampton, N.Y., by the artists Roy Lichtenstein and Paul Waldman, Nauman made a series of defining videos in which he tested the space of the studio with his body ...
- Nikil Saval
19 de out. de 2018 · Style? Taste? Auction results? Some artists focus on those, but the most interesting head for the uncool existential bottom line, which is what Bruce Nauman does.
To truly understand the complex evolution and transformation of the body in Bruce Nauman's work, it's necessary to take a step back on his background. Indeed, one of the first important detail to consider is the place where the artist grows and spent a significant part of his life.