Resultado da Busca
William Ordway Partridge (April 11, 1861 – May 22, 1930) was an American sculptor, teacher and author. Among his best-known works are the Shakespeare Monument in Chicago, the equestrian statue of General Grant in Brooklyn, the Pietà at St. Patrick's Cathedral in Manhattan, and the Pocahontas statue in Jamestown, Virginia.
Paris, France. Died. New York, New York, United States. Active in. Washington, District of Columbia, United States. Nationalities. American. Biography. Of New England ancestry, Partridge was born in Paris, where his father was foreign representative of the merchant and art collector A. T. Stewart.
- April 11, 1861
- May 22, 1930
An outdoor sculpture of Thomas Jefferson by William Ordway Partridge is installed outside the School of Journalism on the Columbia University campus in Manhattan, New York, United States. It was modeled in plaster in 1901 and cast in bronze in 1914 by the New York–based foundry Roman Bronze Works .
- Sculpture, Bronze
Statue of Alexander Hamilton (Columbia University) / 40.80672; -73.96179. An outdoor 1908 sculpture of Alexander Hamilton by William Ordway Partridge is installed outside Hamilton Hall on the Columbia University campus in Manhattan, New York, United States. [1]
Provenance. Title:Peace. Artist:William Ordway Partridge (American, born France, Paris 1861–1930 New York) Date:ca. 1898. Culture:American. Medium:Marble. Dimensions:15 x 10 x 6 5/8 in. (38.1 x 25.4 x 16.8 cm) Credit Line:Rogers Fund, 1922. Accession Number:22.59. the artist, until 1922. Learn more about this artwork. Timeline of Art History.
William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.
William Ordway Partridge (1861-1930): American Art Critic and Sculptor. The intent of this dissertation is to examine the work of William Ordway Partridge, both as a sculptor and as a critic of American art during the late nineteenth-early twentieth centuries.
