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Henry Blanke (December 30, 1901 – May 28, 1981) was a German-born film producer who also worked as an assistant director, supervisor, writer, and production manager. He was nominated for the Academy Award for Best Picture for The Nun’s Story (1959).
- May 28, 1981 (aged 79), Los Angeles
- Heinz Blanke, December 30, 1901, Steglitz, Berlin, Germany
Henry Blanke, auch Heinz Blanke, gebürtig Ernst Heinrich Blanke (* 30. Dezember 1901 in Steglitz b. Berlin, Deutschland; † 28. Mai 1981 in Los Angeles, Kalifornien, USA), war ein US-amerikanischer Filmproduzent, Filmregisseur und Drehbuchautor deutscher Herkunft.
Overview. Born. December 30, 1901 · Steglitz, Berlin, Germany. Died. May 28, 1981 · Los Angeles, California, USA (stroke) Mini Bio. German-American producer, the son of a painter, Wilhelm Blanke. Henry began in films in 1920 as personal assistant to the renowned director Ernst Lubitsch whom he accompanied to Hollywood in 1922.
- December 30, 1901
- May 28, 1981
Henry Blanke. Producer: The Maltese Falcon. German-American producer, the son of a painter, Wilhelm Blanke. Henry began in films in 1920 as personal assistant to the renowned director Ernst Lubitsch whom he accompanied to Hollywood in 1922.
- January 1, 1
- Steglitz, Berlin, Germany
- January 1, 1
- Los Angeles, California, USA
Henry Blanke (December 30, 1901 – May 28, 1981) was a German-born film producer who also worked as an assistant director, supervisor, writer, and production manager. He was nominated for the Academy Award for Best Picture for The Nun’s Story (1959).
Biography. From Wikipedia, the free encyclopedia. Henry Blanke (December 30, 1901 – May 28, 1981) was a German-born film producer who also worked as an assistant director, supervisor, writer, and production manager. He was nominated for the Academy Award for Best Picture for The Nun's Story (1959).
Henry Blanke was assigned to produce, Robert Rossen to write the script and Lewis Milestone to direct. Milestone later told the press: It is twelve years now since I made All Quiet on the Western Front. That film embodied the retrospective disillusionment toward another war.
