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  1. Arthur Hoerl (Nova Iorque, NI, 17 de dezembro de 1891 – Hollywood, CA, 6 de fevereiro de 1968) foi um roteirista e diretor de cinema norte-americano. [ 1 ] Nascido de família imigrante alemão, ele roteirizou 150 filmes entre 1921 e 1968, e também dirigiu quatro filmes entre 1932 e 1934.

  2. en.wikipedia.org › wiki › Arthur_HoerlArthur Hoerl - Wikipedia

    Arthur Hoerl (December 17, 1891 – February 6, 1968) was an American screenwriter and film director. Hoerl was born in New York, son of Louis Hoerl, a German immigrant silver polisher, and Teresa Hoerl. Arthur completed three years of high school, according to the 1940 US Census.

  3. Arthur Hoerl, de son vrai nom Adolph Hoerl, est un scénariste américain né le 1891 à New York ( État de New York) et mort le 6 février 1968 à Hollywood ( Californie ). Biographie. Arthur Hoerl est le fils d'un immigrant allemand. Il change son prénom à l'approche de la guerre pour des raisons évidentes.

    • 17 décembre 1891New York, État de New York
    • Adolph Hoerl
    • États-Unis
  4. Big Town is a 1932 American crime film directed by Arthur Hoerl and starring Lester Vail, Frances Dade and John Miltern. It was made by Hoerl's own Trojan Pictures in New York City along with another film The Shadow Laughs. A second feature, it was distributed in Britain by Universal Pictures.

  5. 23 de out. de 2020 · Read this article. Two classical articles on Ridge Regression by Arthur Hoerl and Robert Kennard were published in Technometrics in 1970, making 2020 their 50th anniversary. The theory and practice of Ridge Regression, and of related biased shrinkage estimators, have been extensively developed over the years.

    • Roger W. Hoerl
    • 2020
  6. Arthur Hoerl. place of birth. New York City. 1 reference. imported from Wikimedia project. English Wikipedia. date of death. 6 February 1968. 1 reference. stated in ...

  7. Before Morning is a 1933 American pre-Code crime drama directed by Arthur Hoerl, and starring Leo Carrillo, Lora Baxter, and Taylor Holmes. The film was adapted for the screen by Arthur Hoerl, from the 1933 Broadway play of the same name by Edward and Edna Riley.