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Robert Christgau is a legendary rock critic and public intellectual. His newsletter And It Don't Stop features his Consumer Guide, Xgau Sez, Book Reports, and more.
- Consumer Guide
The Consumer Guide database has graded 17916 albums from...
- User's Guide
Duds simply list records unworthy of further comment. I also...
- Grades 1990
Key to Icons. An A+ is a record of sustained beauty, power,...
- Books
Robert Christgau has adapted his notorious Village Voice...
- Going Into the City
Hilary Hughes: Robert Christgau Opens Up About His Memoir --...
- Grown Up All Wrong
With unfailing style and grace, Christgau negotiates the...
- Xgau Sez
These are questions submitted by readers, and answered by...
- And It Don't Stop
And It Don't Stop. A Century in Four Hours and Forty...
- Consumer Guide
Robert Christgau published his Consumer Guide: July, 2023: Sweet melodies buoying up existential weight, trying Jesus when other men let you down, sad and brilliant tales of failed relationships, and jazz with a pop-friendly sense of identity and purpose.
17 de nov. de 2021 · Find out the latest news, reviews, and opinions of Robert Christgau, the Dean of American Rock Critics. Subscribe to his newsletter And It Don't Stop on Substack and explore his books, archives, and q&a sections.
Browse and search the database of 17916 albums rated by Robert Christgau, a prominent music critic and author. Find reviews by artist, label, year, grade, or title.
Robert Thomas Christgau (/ ˈ k r ɪ s t ɡ aʊ / KRIST-gow; born April 18, 1942) is an American music journalist and essayist. Among the most well-known [1] and influential music critics, [2] he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical ...
Robert Christgau (Nova Iorque, 18 de abril de 1942), é um ensaísta e jornalista musical norte-americano. Na imprensa, o seu nome é por vezes abreviado para Xgau. Um dos primeiros críticos profissionais de rock, Christgau é conhecido por suas
The veteran rock critic ranks his favorite albums of the year, from Beyoncé's Renaissance to Rosalía's Motomami, and compares them with other publications' lists. He also reflects on the state of rock criticism in the digital age and the generational divide among artists and listeners.
