Resultado da Busca
19 de fevereiro de 1878 (61 anos) Paris, França. Ocupação. pintor. Movimento estético. Escola de Barbizon. Charles-François Daubigny ( Paris, 15 de fevereiro de 1817 - idem, 19 de fevereiro de 1878) é um dos alunos da Escola de Barbizon e considerado um importante precursor do impressionismo .
Charles-François Daubigny ( / ˈdoʊbɪnji / DOH-bin-yee, [1] US: / ˌdoʊbiːnˈjiː, doʊˈbiːnji / DOH-been-YEE, doh-BEEN-yee, [2] [3] French: [ʃaʁl fʁɑ̃swa dobiɲi]; 15 February 1817 – 19 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of ...
Charles-François Daubigny (Paris, 15 de fevereiro de 1817 - idem, 19 de fevereiro de 1878) é um dos alunos da Escola de Barbizon e considerado um importante precursor do Impressionismo. Daubigny nasceu em uma família de pintores e foi introduzido à arte por seu pai, Edmond François Daubgny, e também por um tio, o miniaturista Pierre Daubigny.
- French
- Paris, France
Há 3 dias · Learn about the life and work of Daubigny, a French landscape painter who influenced the Impressionists. See his paintings of rivers, forests and villages, some on display and some not.
Charles-François Daubigny was a French painter whose landscapes introduced into the naturalism of the mid-19th century an overriding concern for the accurate analysis and depiction of natural light through the use of colour, greatly influencing the Impressionist painters of the late 19th century.
- The Editors of Encyclopaedia Britannica
Charles-François Daubigny, né le 15 février 1817 à Paris où il est mort le 19 février 1878, est un artiste peintre et graveur français. Rattaché à l’école de Barbizon, il est considéré comme l'un des peintres charnières entre le courant romantique et l’impressionnisme.
Apple Blossoms. Charles-François Daubigny French. 1873. On view at The Met Fifth Avenue in Gallery 812. Critic Théophile Gautier extolled Daubigny’s landscapes as "pieces of nature cut out and set into golden frames." The artist first painted flowering orchards about 1857, reprising the motif almost every spring.
