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24 de jun. de 2013 · Subscribed. 10. 1.9K views 10 years ago. This film -- supported in part by the National Endowment for the Humanities -- profiles three women journalists who covered World War II at a time...
- 5 min
- 1943
- NEHgov
10 de abr. de 2011 · No Job for a Woman: The Women Who Fought to Report WWII: Directed by Michele Midori Fillion. With Deborah Copaken, Dorothea Harahan, Julianna Margulies, Kathleen McNenny. Follows reporters Ruth Cowan, Martha Gellhorn, and Dickey Chapelle as they circumvent restrictions and prohibitions placed on female reporters by U.S. government ...
- (13)
- Documentary
- Michele Midori Fillion
- 2011-04-10
“No Job For a Woman”: The Women Who Fought to Report WWII tells this story through the lives and work of wire service reporter Ruth Cowan, magazine reporter Martha Gellhorn, and war photographer Dickey Chapelle.
Women reporters during WWII were told war reporting was No Job For a Woman. Buy the DVD, available for purchase from Women Make Movies, to find out how these women over came the restrictions and created a new way of telling the story of war. 2011, 61 minutes, Color, DVD, English. Buy Online.
No Job For A Woman: The Women Who Fought To Report WWII. A film by Michèle Midori Fillion. 2011 | 61 minutes | Color/BW | DVD | English | Order No. 121052. License: Format: PRICE: $295.00. ADD TO CART. Host a screening. Watch on Kanopy. Watch on Docuseek. ABOUT. FILMMAKER BIO. RESOURCES & LINKS. PHOTO GALLERY. SYNOPSIS.
Currently you are able to watch "No Job for a Woman: The Women Who Fought to Report WWII" streaming on Kanopy for free. Synopsis Follows reporters Ruth Cowan, Martha Gellhorn, and Dickey Chapelle as they circumvent restrictions and prohibitions placed on female reporters by U.S. government during WWII and push their reporting to focus on the ...
- 61 min
No Job for a Woman: The Women Who Fought to Report WWII. Before World War II, war reporting was considered NO JOB FOR A WOMAN. Fighting and winning access to cover the war wasn't the only battle for the women reporters as they were banned from the front lines, prevented from covering front page stories, and assigned “woman’s angle” stories.
