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  1. Anton Webern (Viena, 3 de dezembro de 1883 — Mittersill, Salzburgo, 15 de setembro de 1945) foi um compositor austríaco, pertencente à chamada Segunda Escola de Viena, liderada por Arnold Schönberg, cujo estilo e poética musical foi denominado de música dodecafônica, música expressionista ou música pontilhista. É conhecido ...

  2. en.wikipedia.org › wiki › Anton_WebernAnton Webern - Wikipedia

    Anton Webern (German: [ˈantoːn ˈveːbɐn] ⓘ; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist. His music was among the most radical of its milieu in its concision and use of then novel atonal and twelve-tone techniques in an increasingly rigorous manner, somewhat after the Franco ...

  3. 15 de abr. de 2024 · Anton Webern was an Austrian composer of the 12-tone Viennese school. He is known especially for his passacaglia for orchestra, his chamber music, and various songs (Lieder). Webern’s father, a mining engineer, rose to the highest rank of his profession, becoming chief of mining in the Habsburg.

  4. 6 de jan. de 2015 · Anton Webern was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student, significant follower of, and influence on Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique.

  5. www.wikiwand.com › pt › Anton_WebernAnton Webern - Wikiwand

    Anton Webern ( Viena, 3 de dezembro de 1883 — Mittersill, Salzburgo, 15 de setembro de 1945) foi um compositor austríaco, pertencente à chamada Segunda Escola de Viena, liderada por Arnold Schönberg, cujo estilo e poética musical foi denominado de música dodecafônica, música expressionista ou música pontilhista. É conhecido e ...

  6. Written between January 1940 and February 1941, the Op. 30 is one of Webern's most elegant works, and has a discernable dramatic flair found in the recurrences of melodic shapes. Certain...

  7. knoow.net › arteseletras › musicaWebern, Anton - Knoow

    Anton Webern, 1945. O legado musical de Webern. Anton Webern tornou-se num elemento de união da geração de compositores europeus posteriores a 1945, incluindo Stockhausen, Boulez e Maderna, e mesmo compositores mais velhos como Stravinsky e Eimert.

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