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  1. Amedée-Ernest Chausson (Paris, 20 de janeiro de 1855 — Limay, 10 de junho de 1899) foi um compositor francês. [1] [2] De origem aristocrática, estudou inicialmente Direito, e em 1880 ingressou no Conservatório de Paris, onde foi aluno de Massenet. Mais tarde, passou a receber aulas de César Franck, que muito o influenciaria ...

  2. Amédée-Ernest Chausson (French:; 20 January 1855 – 10 June 1899) was a French Romantic composer. Life [ edit ] Born in Paris into an affluent bourgeois family, Chausson was the sole surviving child of a building contractor who made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s.

  3. Ernest Chausson (born Jan. 21, 1855, Paris, France—died June 10, 1899, Limay) was a composer whose small body of compositions has given him high rank among French composers of the late 19th century. After obtaining a doctorate degree in law, Chausson entered the Paris Conservatory in 1879 for a course of study with Jules Massenet and César ...

    • The Editors of Encyclopaedia Britannica
  4. Œuvres principales. Opéra, Le Roi Arthus, op. 23. Poème pour violon et orchestre, op. 25. Concert en pour piano, violon et quatuor à cordes, op. 21. modifier. Ernest Chausson, né le 20 janvier 1855 à Paris et mort le 10 juin 1899 à Limay, est un compositeur français .

    • Compositeur
    • Musique romantique
    • 10 juin 1899 (à 44 ans)Limay
  5. Learn about Chausson's life, works, and influences on the Oxford Song website. Find out how he was involved with the Société Nationale de Musique and other artists of his time.

  6. Lisa Batiashvili, The Philadelphia Orchestra, Yannick Nézet-Séguin & Ernest Chausson 2.7K plays Secret Love Letters Chausson: Poème, Op. 25 - I. Lento e misterioso Itzhak Perlman , New York Philharmonic , Zubin Mehta & Ernest Chausson 919 plays Sarasate: Carmen-Fantasy / Ravel: Tzigane / Saint-Saëns: Introduction & Rondo Capriccioso; Havanaise / Chausson: Poème

  7. His chronic insecurity and tragic early death combined to curtail Ernest Chausson’s creative output. However, says Jessica Duchen, what he did produce was often distinctively original as well as being utterly beguiling