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  1. en.wikipedia.org › wiki › Martin_RittMartin Ritt - Wikipedia

    Martin Ritt (March 2, 1914 – December 8, 1990) was an American director, producer, and actor, active in film, theatre and television. He was known mainly as an auteur of socially-conscious dramas and literary adaptations, [1] described by Stanley Kauffmann as "one of the most underrated American directors, superbly competent and ...

  2. Prêmios. BAFTA de Melhor Filme Britânico ( The Spy Who Came in from the Cold, 1967) Causa da morte. doença cardiovascular. [ edite no Wikidata] Martin Ritt ( Nova Iorque, 2 de março de 1914 — Santa Monica, 8 de dezembro de 1990) foi um diretor de cinema norte-americano .

  3. www.imdb.com › name › nm0728688Martin Ritt - IMDb

    Martin Ritt was a director, actor and playwright who worked in both film and theater. He was known for his social and political themes, such as corruption, racism and unionism, in films like Hud, The Great White Hope and Norma Rae.

    • January 1, 1
    • New York City, New York, USA
    • January 1, 1
    • Santa Monica, California, USA
  4. Ranking Ano. 8.76. 1. O Indomado (1963) 7.44. 2. O Espião Que Veio do Frio (1965) 7.34. 3. O Mercador de Almas (1958) 7.15. 4. Hombre (1967) 7.15. 5. Testa de Ferro por Acaso (1976) 7.11. 6. Norma Rae (1979) 7.00. Sounder - Lágrimas de Esperança (1972) 6.85. 8. Um Homem Tem Três Metros de Altura (1957) 6.66. 9. A Grande Esperança Branca (1970) 6.55

  5. Martin Ritt (born March 2, 1914, New York, New York, U.S.—died December 8, 1990, Santa Monica, California) was an American motion-picture director noted for his films on socially conscious themes. The main characters in Ritts films tended to be loners or underdogs whose ethical scruples place them at odds with the dubious values of society.

    • Michael Barson
  6. Learn about the life and career of Martin Ritt, a director, actor and playwright who worked in both film and theater. He was known for his social and political themes, his frequent collaboration with Paul Newman, and his blacklisting in the 1950s.

  7. Martin Ritt, the director of \"Norma Rae\" and other acclaimed films, talks about his career, his choices and his views on labor unions. He also reveals his plans to attend the Cannes Film Festival and his preference for jump suits over tuxedos.