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Jocelyn Herbert (1917 – 2003) was a seminal figure in postwar twentieth-century British theatre. Her approach altered the way directors and audiences came to view stage design, and contributed to a fundamental shift in the relationship between writer, director and designer.
This site offers an introduction to the Jocelyn Herbert Archive (JHA), a collection unique in the depth of coverage of the long career of one of Britain’s leading theatre designers (1917-2003).
Jocelyn Herbert RDI (22 February 1917 – 6 May 2003) was a British stage designer.
17 de jan. de 2017 · Jocelyn Herbert (1917-2003) was one of Britain’s leading theatre designers. She transformed earlier assumptions about the relationships between designers, directors and writers, and had a huge influence on younger designers.
Jocelyn Herbert. (1917-2003), Theatre designer. Sitter in 4 portraits. Herbert had joined the Royal Court at its inception in 1956 as a scene-painter, but already a year later made her debut as a designer with Ionesco 's The Chairs.
2011. The Archive of Performance in Greek and Roman Drama at the University of Oxford, in collaboration with the JHA and the National Theatre Archive, held an exhibition of archival material celebrating the 30 anniversary of Tony Harrison’s translation of The Oresteia by Aeschylus.
Jocelyn Herbert was born on 22 February 1917 in Hammersmith, London, England, UK. She was a production designer and costume designer, known for Tom Jones (1963), If.... (1968) and Is That All There Is? (1992). She was married to Anthony Baruh Lousada. She died on 6 May 2003 in Long Sutton, Hampshire, England, UK.
