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  1. “This book brings them together.” Her work embodies a musical subculture, juxtaposing authorship, visualization and the reciprocal influences of multidisciplinary poetic communication. By scrawling their names on white canvases, her series of Noise Name paintings pay tribute to bands such as The Stooges and Pussy Galore.

  2. 16 de set. de 2016 · Her work embodies a musical subculture, juxtaposing authorship, visualization and the reciprocal influences of multidisciplinary poetic communication. By scrawling their names on white canvases, her series of Noise Name paintings pay tribute to bands such as The Stooges and Pussy Galore.

  3. 25 de out. de 2016 · Kim Gordon: Noise Name Paintings and Sculptures of Rock Bands That Are Broken Up [Chan, Paul, Guan, Frank, Miller, John, Marta, Karen, Gordon, Kim, Joannou, Dakis] on Amazon.com. *FREE* shipping on qualifying offers.

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  4. Compre online Kim Gordon: Noise Name Paintings and Sculptures of Rock Bands That Are Broken Up, de Gordon, Kim, Marta, Karen, Joannou, Dakis, Chan, Paul, Guan, Frank na Amazon. Frete GRÁTIS em milhares de produtos com o Amazon Prime.

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  5. 12 de jun. de 2015 · Opening: June 12, 2015 Exhibition Duration: June 13 – August 30, 2015. For her exhibition Design Office: Noise Name Paintings and Sculptures of Rock Bands That Are Broken Up at the Benaki Museum, Main Building, Kim Gordon has turned the long exhibition room at Museum into a hall of tribute to the bands that still exist and to the memory of ...

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    • Kim Gordon: Noise Name Paintings and Sculptures of Rock Bands That Are Broken Up2
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    • Kim Gordon: Noise Name Paintings and Sculptures of Rock Bands That Are Broken Up4
    • Kim Gordon: Noise Name Paintings and Sculptures of Rock Bands That Are Broken Up5
  6. Noise Name Paintings and Sculptures of Rock Bands That Are Broken Up Benaki Museum, Athens June 13 – August 30, 2015. Organized by the DESTE Foundation in collaboration with the Benaki Museum Photo: Fanis Vlastaras & Rebecca Constantopoulou.

  7. Kim Gordons noise paintings and sculptures lie somewhere between a unique time, a discrete body, and a solitary interpretation, blurring the subjective boundaries of the page, the stage, and the gallery.