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how there is art at all, we will attempt to discover the nature of art where there is no doubt that art genuinely prevails. Art presences in the art-work [Kunst-werk]. But what and how is a work of art? What art is we should be able to gather from the work. What the work is we can only find out from the nature of art. It is easy to see that we
"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
- Martin Heidegger
- 1950
The work is the origin of the artist. Neither is without the other. However, neither of them alone bears the other. Artist and work are, each in themselves and in their mutual relations, through a third, namely through art, which is the first from which artist and artwork have their name.
- Roger Berkowitz
‘The Origin of the Work of Art ’: Heidegger. Patrick Hutchings. Published online: 13 September 2012 Springer Science+Business Media B.V. 2012. Abstract. Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'.
- Patrick Hutchings
- 2012
“The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
13 de set. de 2012 · ‘The Origin of the Work of Art’: Heidegger. Published: 13 September 2012. Volume 51 , pages 465–478, ( 2012 ) Cite this article. Download PDF. Patrick Hutchings. 2259 Accesses. Explore all metrics. Abstract. Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'.
Heidegger, "The Origin of the Work of Art" I. The investigation begins with a hermeneutic circle. [17-20]1 A. We must look for the origin of the work in the work. 1. To infer what art is from the work we must first determine what to examine, i.e. we must identify something as a work of art. 2.
