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In order to discover the nature of art that really holds sway in the work let us approach the actual work and ask it what and how it is. Everyone is familiar with artworks.
"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
- Martin Heidegger
- 1950
Based upon lectures de-. livered in Zurich and Frankfurt in the mid- 1930's, it was Heidegger's first major work in aesthetics and offered a novel, compelling approach to the study of beauty and art. In the essay, Heidegger departed from earlier theories concerning the essence of art, re-.
27 de jun. de 2024 · “The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
- Jonathan Dronsfield
- 2009
13 de set. de 2012 · The translation of ‘The Origin of the Work of Art’ is by Albert Hofstadter; it appeared originally in Poetry, Language Thought, New York, Harper & Row, 1971. I once had the opportunity of talking about the difficulties of Heidegger’s text with Professor Hofstadter at the University of California.
- Patrick Hutchings
- sophia@philosophy.unimelb.edu.au
- 2012
Heidegger conceives truth always in aletheia, unhiddenness, the unhiddenness of existing reality, Heidegger can conclude: By revealing the true nature or or, generally speaking, of existing reality, art establishes work of art. Truth is conceived here as something that place.
less, the writing on art that is his most well known, "The Origin of the Work of Art," written in the mid-1930's, remained a somewhat con flicted work about the art of its time. It began as an exposition of the history of ontological concepts that issued in the distinctions between form and matter "usually employed" in aesthetics. He did so, as ...
