Yahoo Search Busca da Web

Resultado da Busca

  1. Death of a Cyclist (Spanish: Muerte de un ciclista) is a 1955 social realist Spanish drama film directed by Juan Antonio Bardem and starring Italian actress Lucia Bosè, who was dubbed into Spanish by Elsa Fábregas. It won the FIPRESCI Award at the 1955 Cannes Film Festival.

  2. Death of a Cyclist: Directed by Juan Antonio Bardem. With Lucia Bosè, Alberto Closas, Bruna Corrà, Carlos Casaravilla. A couple having an affair strike a bicyclist with their car and do not offer aid out of fear of their relationship being exposed.

    • (4,5K)
    • Crime, Drama, Film-Noir
    • Juan Antonio Bardem
    • 1955-09-07
  3. Upper-class geometry professor Juan and his wealthy, married mistress, Maria José, driving back from a late-night rendezvous, accidentally hit a cyclist, and run. The resulting, exquisitely shot tale of guilt, infidelity, and blackmail reveals the wide gap between the rich and the poor in Spain, and surveys the corrupt ethics of a society ...

  4. In Madrid, driving down an isolated road after a secret tryst, María José (Lucia Bosè), and her lover Juan (Alberto Closas) hit a cyclist and kill him. Instead of staying and calling the police for help the two run away as their relationship is a clandestine one and Maria's powerful husband Miguel Castro (Otello Toso) is partly responsible ...

  5. Professor Juan (Alberto Closas) is sleeping with Maria (Lucía Bosé), who's married to a rich man. After one such tryst, Juan is driving Maria home when he accidentally strikes and kills a cyclist.

    • (10)
    • Lucía Bosé
    • Juan Antonio Bardem
    • Drama
  6. Death of a Cyclist. Directed by Juan Antonio Bardem • 1955 • Spain. Starring Alberto Closas, Lucia Bosé, Otello Toso. Upper-class geometry professor Juan and his wealthy, married mistress, Maria José, driving back from a late-night rendezvous, accidentally hit a cyclist, and run.

  7. 21 de abr. de 2008 · Apr 21, 2008. J uan Antonio Bardem’s Death of a Cyclist (1955), one of the first Spanish films to win the critics’ prize at a major European festival, was crucial in launching the modern Spanish cinema. Bardem came directly from his triumph at Cannes to the Salamanca Congress, a national film conference organized by Objetivo, a ...