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  1. Bernard Berenson (June 26, 1865 – October 6, 1959) was an American art historian specializing in the Renaissance. His book The Drawings of the Florentine Painters was an international success. His wife Mary is thought to have had a large hand in some of the writings. [2]

  2. Learn about the life and work of Bernard Berenson, a famous art historian, critic, and collector of Italian Renaissance paintings and drawings. Explore his publications, his method of connoisseurship, his influence on art collectors, and his legacy at I Tatti.

  3. Bernard Berenson, pseudônimo de Bernhard Valvrojenski ( 26 de junho de 1865 - 6 de outubro de 1959) foi um estadunidense historiador de arte, especializado na Renascença. Seu livro Desenhos dos Pintores Florentinos foi um sucesso internacional.

  4. Explore the digital platform of over 600 letters exchanged between Belle Greene, the Morgan's first director, and Bernard Berenson, the art historian and connoisseur. Learn about their relationship, their travels, and their art interests in this project launched in 2024.

  5. 17 de abr. de 2024 · Bernard Berenson (born June 26, 1865, Vilnius, Lithuania, Russian Empire—died Oct. 6, 1959, Settignano, Italy) was an American art critic, especially of Italian Renaissance art. Reared in Boston, Berenson was educated at Harvard University, from which he was graduated in 1887. His first book, The Venetian Painters of the ...

    • The Editors of Encyclopaedia Britannica
  6. 14 de fev. de 2014 · The transfer student from Boston University was Bernard Berenson, a son of a Boston tin peddler and a future world-famous art historian and connoisseur. Entering Harvard gave the former Bernhard Valvrojenski, who was probably the first Russian Jew admitted to the College, “a status he coveted,” one scholar wrote.

  7. Dois protagonistas desse cenário foram Bernard Berenson, americano que fixa endereço na famosa Villa I Tatti e se dedica devotamente ao Renascimento italiano, e Lionello Venturi, que introduz o método da crítica de arte por meio de uma perspectiva anticlássica que muito incomodava a ortodoxia acadêmica.