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Two out of each year's three issues are guest-edited by prominent writers who explore different personal visions, aesthetics, and literary circles, with the Winter issue staff-edited. This 45th anniversary issue, guest edited by novelist Claire Messud and literary critic James Wood, includes new work from Viet Thanh Nguyen (winner of the 2016 ...
14 de jul. de 2016 · Amazon.com: Ploughshares Summer 2016 Guest-Edited by Claire Messud & James Wood eBook : Thanh Nguyen, Viet, Davis, Lydia, Davies, Carys, Daoud, Kamel, Bichsel, Peter ...
Two out of each year's three issues are guest-edited by prominent writers who explore different personal visions, aesthetics, and literary circles, with the Winter issue staff-edited. This 45th anniversary issue, guest edited by novelist Claire Messud and literary critic James Wood, includes new work from Viet Thanh Nguyen (winner of the 2016 Pulitzer Prize), Lydia Davis, Carys Davies, and more.
Two out of each year's three issues are guest-edited by prominent writers who explore different personal visions, aesthetics, and literary circles, with the Winter issue staff-edited. This 45th anniversary issue, guest edited by novelist Claire Messud and literary critic James Wood, includes new work from Viet Thanh Nguyen (winner of the 2016 Pulitzer Prize), Lydia Davis, Carys Davies, and more.
Guest Editors. Claire Messud. James Wood. Editor-In-Chief. Ladette Randolph. Managing Editor. Ellen Duffer. Fiction Editor. Ladette Randolph. Poetry Editor. John Skoyles
Ploughshares is an award-winning journal of new writing. Two out of each year’s three issues are guest-edited by prominent writers who explore different personal visions, aesthetics, and literary circles, with the Winter issue staff-edited. This 45th anniversary issue, guest edited by novelist Claire Messud and literary critic James Wood,…
17 de jan. de 2018 · Chemistry began as the short story “Conversations with My Father,” published in the Summer 2016 issue of Ploughshares, guest-edited by Claire Messud and James Wood. Wang began thinking about what that protagonist might be like when she grew up and whether she might have an existential crisis in adulthood.
