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August 1974 | John Ashbery, Alfred Corn, Rosamond Dauer, Laurence Lieberman, Estill Pollock, Gerrit Henry.
A poem inspired by a painting that distorts the artist's image, reflecting the limitations of self-perception and representation. The poem explores the themes of identity, relationships, and spirituality through a complex structure and form, using metaphors, imagery, and allusions.
- Female
- October 6, 1975
- Poetry Analyst
Self-portrait in a Convex Mirror (c. 1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
Self-Portrait in a Convex Mirror is a 1975 poetry collection by the American writer John Ashbery. The title, shared with its final poem, comes from the painting of the same name by the Late Renaissance artist Parmigianino.
- John Ashbery
- 1975
A poem inspired by Parmigianino's painting of the same name, exploring the themes of identity, reflection, and the soul. The poem uses the mirror as a metaphor for the limits and possibilities of language, art, and existence.
Written in a style often described as verbal expressionism, “Self-Portrait in a Convex Mirror” is the title poem in the collection for which John Ashbery won a Pulitzer Prize, a National Book Award, and a National Book Critics Circle Award, all in 1976.
Há 4 dias · A collection of poems by the New York School poet John Ashbery, who experimented with various forms and references. The title poem is a distorted self-portrait inspired by a Renaissance painting, and other poems explore themes of identity, love, and art.