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  1. Há 4 dias · These events inspired his next two works, "Occasional Discourse on the Negro Question" (1849), in which he coined the term "Dismal Science" to describe political economy, and Latter-Day Pamphlets (1850). The illiberal content of these works sullied Carlyle's reputation for some progressives, while endearing him to those that shared ...

  2. 12 de mai. de 2024 · Occasional Discourse on the N***** Question. I myself own an incomplete Victorian edition of the collected works of Carlyle, and, try as I might, I have found no reference to any such publication.

  3. Há 1 dia · One of the central issues in the study of race and ethnicity is ontology. That is, after decades of scientific inquiry, we continue to debate definitions for race and ethnicity. Broadly speaking, the questions that frame this debate are: what is race, what is ethnicity, are they the same, or are they different?

  4. 22 de mai. de 2024 · In a racist tract called (sic) “Occasional Discourse on the Negro Question,” Carlyle says: And the Social Science—not a gay science but a rueful—which finds the secret of this Universe in ‘supply and demand,’ and reduces the duty of human governors to that of letting men alone—is also wonderful.

  5. 22 de mai. de 2024 · Thus, Robinson notes that in the 19 th century United States, the “hard edges of class divisions … were softened and obscured by a mythical racial unity” (Robinson 2000:76), and in the early 1990s—amidst the tumult of Rodney King, the Gulf War, and rapidly growing inequality—public discourse filtered a dramatic battle between democracy (the masses) and property (capital) “through a ...

  6. Há 5 dias · In 1935, Otto Klineberg wrote two books, Negro Intelligence and Selective Migration and Race Differences, dismissing claims that African Americans in the northern states were more intelligent than those in the south.

  7. Há 4 dias · Indeed, this tension between definitions is readily gleaned in the drastic difference between the “Old Crowd Negro-New Crowd Negro” cartoon, printed in the Messenger of 1919, and that drawing of “The New Negro,” done by Allan R. Freelon, which serves as the frontispiece to the 1928 number of the Carolina Magazine, heavily influenced by Alain Locke, that was devoted to the ”New Negro ...