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  1. en.wikipedia.org › wiki › GilgameshGilgamesh - Wikipedia

    Há 11 horas · Gilgamesh ( / ˈɡɪlɡəmɛʃ /, [7] / ɡɪlˈɡɑːmɛʃ /; [8] Akkadian: 𒀭𒄑𒂆𒈦, romanized: Gilgameš; originally Sumerian: 𒀭𒄑𒉋𒂵𒎌, romanized: Bilgames) [9] [a] was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC.

  2. en.wikipedia.org › wiki › DionysusDionysus - Wikipedia

    Há 11 horas · Without proper rendering support, you may see question marks, boxes, or other symbols. In ancient Greek religion and myth, Dionysus ( / daɪ.əˈnaɪsəs /; Ancient Greek: Διόνυσος Dionysos) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre.

  3. Há 11 horas · Part of a series on Human history ↑ Prehistory (Stone Age) (Pleistocene epoch) Holocene Timelines Neolithic – Contemporary (10,000 BCE – Present) Age of the human race Recorded history (Common Era) Earliest records Protohistory Proto-writing Ancient Copper Age Bronze Age Iron Age Axial Age Classical antiquity Late antiquity Africa North America South America Oceania East Asia South Asia ...

  4. en.wikipedia.org › wiki › InannaInanna - Wikipedia

    Há 11 horas · Inanna [a] is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power. Originally worshipped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar [b] (and occasionally the logogram 𒌋𒁯 ).

  5. Há 11 horas · brabet nao paga. No mundo dos jogos de azar e das apostas esportivas, a 635 é uma das opções mais populares entre os apostadores. Se você está pensando em brabet nao paga começar a apostar ou simplesmente quer melhorar suas habilidades, este artigo é para você!

  6. Há 11 horas · Geschichte und Hintergrund Rajna Kacarova. Der Fall der Melodie von „Üsküdar’a Gider İken“, die in den Sprachen der gesamten Balkanregion gesungen und jeweils von den entsprechenden Nationalitäten für sich beansprucht wird, zog die Aufmerksamkeit verschiedener musikethnologischer und anderer Fachautoren auf sich wie etwa Rajna Kacarova (1973), Adela Peeva (2003), Dorit Klebe (2004 ...