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Daphne du Maurier and Rebecca. Scholars have drawn parallels between Daphne du Maurier’s Rebecca and Charlotte Bronte’s Jane Eyre. Du Maurier seems to have been heavily influenced by the Bronte sisters in general as another one of her books, Jamaica Inn has also drawn inspiration from Emily Bronte’s Wuthering Heights.
Daphne du Maurier writes yet another twist into the novel, Rebecca in the last few paragraphs of the book.As Maxim de Winter escapes the clutches of the law and flees from justice, he is served with a justice of another kind – his beloved Manderley house is burnt to the ground.
Rebecca, a mulher inesquecível, é o romance de maior repercussão da escritora britânica Daphne Du Maurier.Escrito em 1938, logo tornou-se sucesso de crítica ao retratar a história de uma mulher que se casa com um viúvo muito rico e rude, e passa a viver na mansão onde um dia reinou absoluta Rebecca, a primeira mulher de Max the Winter, que era adorada por todos.
6 de nov. de 2021 · Dans une écriture réaliste, Daphné Du Maurier envoie le lecteur au cœur de Manderley, sous l’orage qui s’apprête à tomber. L’auteure livre une protagoniste attachante, humaine et qui, malgré la tempête, est prête à tout pour sauver son couple. Le fantôme de Rebecca rôde entre les lignes, nous faisant, nous aussi, frissonner.
Rebecca Summary. Next. Chapter 1. The novel is narrated by an unnamed woman recalling past events in her life. Throughout the course of the book, the narrator remembers the time she spent at Manderley, a large, handsome English estate, while married to Maxim de Winter. As a young woman, the narrator worked for a rich, obnoxious old woman named ...
And du Maurier herself is obsessed with the idea of return in this novel – the return of Rebecca herself, the return to Manderley. It’s a novel that is almost impossible to escape from! Daphne herself could never understand why it captured the reading public’s attention so deeply and permanently, though.
24 de fev. de 2018 · Inchingly, Daphne du Maurier’s difficult novel came together. She wrote it in the first person, from the perspective of a young unnamed narrator, who meets the dashing, yet unhappy Max de Winter ...
