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  1. 80 Follower s. Fluctuating between reality and imagination, Anne-Marie Schneider’s figurative work simultaneously explores the surreal and the mundane. Although she also works in painting, sculpture, and film, Schneider is recognized for her dainty drawings, works …. Read more. See all past shows and fair booths. Solo show at a major ...

  2. 16 de nov. de 2016 · Anne-Marie Schneider . The line is the primary formulation in the imaginary of Anne-Marie Schneider (Chauny, France, 1962), in which autobiographical activity also has a strong presence. The line refers to gestural writing and gives shape to the enigmatic world of personages whose bodies are often taken apart and fitted back together in fragments, prolonged in domestic space and projected on ...

  3. Anne-Marie Schneider (Chauny, France, 1962. Lives in Paris, France) is an artist whose practice is primarily based on autobiographical references. She is best known for her drawings but also works in sculptures and films.

  4. Schneider. Anne-Marie Schneider Anne-Marie Schneider est aujourd’hui l’une des figures . montantes de la scène artistique française et internationale. Née en 1962, elle décide à 18 ans, après avoir étudié le violon, de commencer des études d’arts plastiques. Formée à l’Ecole nationale supérieure des Beaux-Arts de Paris dont ...

  5. Ann Marie Schneider TIME + PLACE art | landscape experience | regenerative futures

  6. Peter Freeman, Inc., founded in 1990, represents leading international artists and the estates of several generations, spanning the 19th, 20th, and 21st centuries, and specializes in important historical works with particular emphasis on early Pop, Minimal, and Conceptual Art. The gallery presents at least five exhibitions each year of work we believe is especially relevant to the art of our ...

  7. www.adiaf.com › artistes › anne-marie-schneiderAnne-Marie SCHNEIDER - ADIAF

    Anne-Marie Schneider intègre et enregistre ces petits accidents comme des indicateurs du sensible, des sismographes de ses états d’âme. Quant à la texture du papier, elle se prête à la déformation, au vieillissement, qui participent également de la perception et de la vie de l’œuvre.