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Alfred Stieglitz 1907. Though it was captured in the blink of an eye, The Steerage is one of the most enduring artworks in the history of photography and the seminal work of artist Alfred Stieglitz ’s famed career. Contrary to myth, it is not a document of immigrants arriving in the United States nor disillusioned Europeans returning home.
14 de jun. de 2018 · Nueva York, 1907, Alfred Stieglitz se encontraba listo para zarpar en la embarcación que lo llevaría al puerto alemán de Bremen. Agobiado por la multitud que se empezaba a acumular decide abandonar el interior del pasillo en el que se encontraba y sale al exterior, al mirar atrás repentinamente, descubre frente a sus ojos la escena que lo ...
Alfred Stieglitz 1907. Though it was captured in the blink of an eye, The Steerage is one of the most enduring artworks in the history of photography and the seminal work of artist Alfred Stieglitz ’s famed career. Contrary to myth, it is not a document of immigrants arriving in the United States nor disillusioned Europeans returning home.
Title: The Steerage. Creator: Alfred Stieglitz. Date Created: 1907. Physical Dimensions: Image Dimensions Height/Width: 33.3 x 27.4 cm, Image Dimensions Height/Width: 13 1/8 x 10 3/4 in, Mat Dimensions: 20 x 16 in. Type: photographs. Medium: photogravure on laid tissue. This straightforward scene from contemporary life is proclaimed as ...
The Steerage, 1911, épreuve photomécanique (photogravure) sur papier Japon, ... Alfred Stieglitz, Snapshot - In the New York Central Yards. 1907 ...
This paper will analyse the transition from the pictorialist era of photography to straight photography and compare two of Alfred Stieglitz’s photographs, Winter on Fifth Ave, 1893 and The Steerage, 1907 in order to establish how these two forms of artistic photography became the foundations for modern photographic style.
Twenty-five years after making this photograph, Alfred Stieglitz recalled the moment in vivid detail, no doubt aided by the information provided within the frame. He had wandered down from the first-class deck to survey the jumbled scene of teeming passengers in the steerage, or economy class, section, which contrasted sharply with "the mob called the 'rich'" that he had left behind.
