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(The red-haired woman was actually modeled by the artist’s wife, Jo.) Hopper denied that he purposefully infused this or any other of his paintings with symbols of human isolation and urban emptiness, but he acknowledged that in “Nighthawks” “unconsciously, probably, I was painting the loneliness of a large city.”
Edward Hopper said that “Nighthawks” was inspired by “a restaurant on New York’s Greenwich Avenue where two streets meet,” but the image—with its carefully constructed composition and lack of narrative—has a timeless, universal quality that transcends its particular locale. One of the best-known images of twentieth-century art, the painting depicts an all-night diner in which ...
Edward Hopper said that “Nighthawks” was inspired by “a restaurant on New York’s Greenwich Avenue where two streets meet,” but the image—with its carefully constructed composition and lack of narrative—has a timeless, universal quality that transcends its particular locale. One of the best-known images of twentieth-century art, the painting depicts an all-night diner in which ...
In Hopper’s most iconic painting, Nighthawks (1942; Art Institute of Chicago), four customers and a waiter inhabit the brightly lit interior of a city diner at night. They appear lost in their own weariness and private concerns, their disconnection perhaps echoing the wartime anxiety felt by the nation as a whole.
(The red-haired woman was actually modeled by the artist’s wife, Jo.) Hopper denied that he purposefully infused this or any other of his paintings with symbols of human isolation and urban emptiness, but he acknowledged that in “Nighthawks” “unconsciously, probably, I was painting the loneliness of a large city.”
(The red-haired woman was actually modeled by the artist’s wife, Jo.) Hopper denied that he purposefully infused this or any other of his paintings with symbols of human isolation and urban emptiness, but he acknowledged that in “Nighthawks” “unconsciously, probably, I was painting the loneliness of a large city.”
26 de nov. de 2020 · Although Hopper has said the painting does not specifically explore loneliness, he said of the work, “unconsciously, probably, I was painting the loneliness of a large city.” ‘Nighthawks’ was completed in January 1942 according to Hopper’s wife’s (Josephine) and was immediately sold the Art Institute fo Chicago where it remains today.
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