Resultado da Busca
Edward Stuart Davis (December 7, 1892 – June 24, 1964) was an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century.
Stuart Davis (1892-1964) foi um proeminente pintor modernista americano. Ele começou a trabalhar no estilo realista Ashcan School, mas a exposição a pintores modernistas europeus no Armory Show levou a um estilo modernista pessoal distinto que influenciou o desenvolvimento posterior da pop art .
One of America's first modern artists and a forefather of Pop art, Stuart Davis began his artistic career with the Ashcan School before embracing European modernism following the Armory Show. The artist's abstract paintings, infused with jazz rhythm and bold, colorful abstractions of New York's urban landscape or household objects, offer a ...
Edward Stuart Davis (December 7, 1892 – June 24, 1964) was an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century.
Stuart Davis (December 7, 1892 – June 24, 1964), was an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century.
Stuart Davis was an American Modernist painter, best known for his brilliantly colored abstractions of jazz musicians, street scenes, and landscapes. View Stuart Davis’s 637 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available prints and multiples ...
Stuart Davis (1892–1964) is one of the preeminent figures of American modernism. With a long career that stretched from the early twentieth century well into the postwar era, he brought a distinctively American accent to international modernism.
