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A series of laws were passed restricting Jewish rights to full employment, education and citizenship. The turning point was Kristallnacht, often cited as the beginning of the Holocaust, when persecution escalated from social, economic and political to state sponsored violence, deportation and mass murder. A German Jewish citizen. Selling armbands.
A poster advertising the antisemitic propaganda film "Der ewige Jude" (The Eternal Jew) hangs on the side of a Dutch building. Amsterdam, The Netherlands, 1942. Tags
The Eternal Jew is a 1940 antisemitic Nazi propaganda film, presented as a documentary. The film's initial German title was Der ewige Jude, the German term for the character of the "Wandering Jew" in medieval folklore. The film was directed by Fritz Hippler at the insistence of Nazi Germany's Minister of Propaganda, Joseph Goebbels.
The Eternal Jew. An antisemitic film created by the Nazis in 1940. It was directed by Fritz Hippler. Parts of the film were filmed in ghettos in Poland following the Nazi occupation of the country.
Two films, however, were designed to translate National Socialism's antisemitic ideology to a popular audience: Der ewige Jude (The Eternal Jew, 1940) and Jud Süß (Jew Süß, 1940)." [23] In November 1938, Goebbels made a series of attacks against the Jews in the German media that after the murder of a German diplomat in Paris by a Jew resulted in the anti-Jewish riots known as Kristallnacht .
Title: Advertising poster for the anti-Semitic film, "Der Ewige Jude" [The Eternal Jew], directed by Fritz Hippler. Date Created: 1940; Location: Germany; Provenance: Museum fur Deutsche Geschichte; Contributor: United States Holocaust Memorial Museum, courtesy of Museum fur Deutsche Geschichte; Rights: United States Holocaust Memorial Museum
The Eternal Jew (Der Ewige Jude) does not have what we today would call the markings of a scholarly document: rather than naming experts or sources to support what it says, it simply says, without opposition, what it wants us to believe (one will concede that American newsreels of that period were also much less regulated than would seem ethical to a modern audience, often inserting dramatized ...
