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1986. •. Authors: Gilles Deleuze and Felix Guattari. Translated by Dana Polan. Foreword by Réda Bensmaïa. Instead of interpreting Kafka’s work according to pre-existing categories or literary genres, they propose a concept of “minor literature”—the use of a major language that subverts it from within. Paperback. $23.00.
Gilles Deleuze, Félix Guattari (Contributor) 4.15. 1,851 ratings102 reviews. In Kafka Deleuze and Guattari free their subject from his (mis)interpreters. In contrast to traditional readings that see in Kafka's work a case of Oedipalized neurosis or a flight into transcendence, guilt, and subjectivity, Deleuze and Guattari make a case for Kafka ...
Chapter 3 on Minor Literature was the most interesting and felt lucid enough, and I believe I really managed to get the gist of it, as well as the central motif of the work: Kafka is an example of a Minor Literature, a body of text or writing through the medium of a major language by a minority group, a subversive literature of escape that manages to hold political significance without being ...
31 de out. de 1986 · In "Kafka: Toward a Minor Literature," Deleuze and Guatarri have done the same things they accuse the old Kafkologists of doing, in effect stripping Kafka of his old Kafkalogical baggage only to create a new Kafkology, one that focuses more on a weird interpretive biography of the man as celebrity than it does by trying to understand his works in their modernist setting.
- Gilles Deleuze
Kafka: Toward a Minor Literature: The Components of Expression. G. Deleuze, F. Guattari, M. Maclean. Published 21 January 1985. Philosophy. New Literary History. A MAJOR or established literature follows a vector which goes from content to expression: a content once given, in a given form, one must find, discover, or see the form of expression ...
13 de out. de 2021 · Kafka : toward a minor literature by Deleuze, Gilles, 1925-1995. Publication date 1986 Topics Kafka, Franz, 1883-1924 -- Criticism and interpretation Publisher
In "Kafka: Toward a Minor Literature," Deleuze and Guatarri have done the same things they accuse the old Kafkologists of doing, in effect stripping Kafka of his old Kafkalogical baggage only to create a new Kafkology, one that focuses more on a weird interpretive biography of the man as celebrity than it does by trying to understand his works in their modernist setting.
