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  1. The snatched-up toast upon this day. Soon the house will be a clinic. Meticulously shall kill us all. Possesses drowning as before. Adrian Stokes (1902 - 72) is the critic of the visual arts writing in English who has most influenced the thought and practice of artists themselves and of other writers on art.

  2. Sitter in 2 portraits. Adrian Durham Stokes was a writer, painter and poet, known principally as an influential art critic. In 1921 Stokes visited Italy for the first time, a trip that was to be a formative experience for him. Over the next decade he returned to the country many times, exploring and writing about 'Quattro Cento' Italian art.

  3. Adrian Stokes - aesthete, critic, painter and poet - was born on 27 October 1902 in Radnor Place, Bayswater. A life of patient enquiry produced over twenty critical books and numerous papers; paintings of a mysterious iridescence that, he maintained, "project an armature of the architectural effects that mean everything to me" and in his last years, poetry with a personal, astringent rhythm.

  4. View Adrian Stokes’ profile on LinkedIn, a professional community of 1 billion members. Senior Program Manager as an astute leader with program/project management and technical…

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  5. Charles Adrian Scott Stokes (23 December 1854 – 30 November 1935) was an English landscape painter. Born in Southport, Lancashire, he became a cotton broker in Liverpool, where his artistic talent was noticed by John Herbert RA, who advised him to submit his drawings to the Royal Academy. He entered the Royal Academy Schools in 1872 and ...

  6. 26 de jul. de 2005 · Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.

  7. Adrian Stokes and the Ballet. Part 2 only of Matthew Springett's dissertation is published here . Richard Wollheim, to whom we owe much of our understanding on Stokes, sees his criticism in terms of two major components, a love of art and the influence of psychoanalysis. 1 Stokes’ writing on the ballet is no exception.