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  1. The Cats of Copenhagen was first written for James Joyce’s most beloved audience, his only grandson, Stephen James Joyce, and sent in a letter dated September 5, 1936. Cats were clearly a common currency between Joyce and his grandson. In early August 1936, Joyce sent Stephen “a little cat filled with sweets”—a kind of Trojan cat meant ...

    • Hardcover
    • James Joyce
  2. 16 de out. de 2012 · Cats were clearly a common currency between Joyce and his grandson. In early August 1936, Joyce sent Stephen “a little cat filled with sweets”—a kind of Trojan cat meant to outwit grown-ups. A few weeks later, Joyce penned a letter from Copenhagen that begins “Alas! I cannot send you a Copenhagen cat because there are no cats in ...

  3. 1 de ago. de 2020 · THE CATS OF COPENHAGEN. August 2020. Journal of Paediatrics and Child Health 56 (8):1324-1324. DOI: 10.1111/jpc.15012. Authors: Richard Couper. University of Adelaide.

  4. The cats of Copenhagen. 2012, Scribner. in English - 1st Scribner hardcover ed. 1476708940 9781476708942. zzzz. Not in Library. Libraries near you: WorldCat. 1. Die Katzen von Kopenhagen.

  5. The Cats of Copenhagen was first written for James Joyce’s most beloved audience, his only grandson, Stephen James Joyce, and sent in a letter dated September 5, 1936. Cats were clearly a common currency between Joyce and his grandson. In early August 1936, Joyce sent Stephen “a little cat filled with sweets”—a kind of Trojan cat meant ...

  6. The first-ever U.S. edition of this delightful gem based on a letter Joyce wrote to his grandson, revealing the modernist master’s playful side—filled with one-of-a-kind illustrations—the perfect gift for Joyce fans and cat lovers alike.</b><br /><br /><i>The Cats of Copenhagen </i>was first writ…

  7. 17 de set. de 2021 · A few weeks later, Joyce penned a letter from Copenhagen which begins, “Alas! I cannot send you a Copenhagen cat because there are no cats in Copenhagen.” The letter reveals the modernist master at his most playful, yet Joyce’s Copenhagen has a keen, anti-authoritarian quality that transcends the mere whimsy of a children’s story.