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13 de jul. de 2021 · This entry examines the development of Western philosophy of music from Greek Antiquity to the end of the eighteenth century. Subsequent developments are covered by the entry on history of western philosophy of music: since 1800. Aesthetic concerns remain in the background of Western philosophical thinking on music until the early modern period.
"Music in the soul can be heard by the universe." - Lao Tzu "Music is a higher revelation than all wisdom and philosophy." - Ludwig van Beethoven "Music is the movement of sound to reach the soul for the education of its virtue." - Plato "Music expresses that which cannot be said and on which it is impossible to be silent." - Victor Hugo
Global Imperatives for Music and Philosophy. Convener: Edwin Li, Harvard University ‘Philosophy must go global’, said philosopher Jonardon Ganeri in 2016, writing against the background of an increasingly polycentric philosophical industry, the internationalization of students and institutions, and diversity in philosophical articulations and epistemic stances.
15 de dez. de 2020 · Abstract. This Handbook offers an overview of the thriving interdisciplinary field of Western music and philosophy. It seeks to represent this area in all its fullness, including a diverse array of perspectives from music studies (notably historical musicology, music theory, and ethnomusicology), philosophy (incorporating both analytic and continental approaches), and a range of cognate ...
15 de dez. de 2020 · Abstract. This chapter traces the history of music and philosophy in the Enlightenment, with a particular focus on English thinkers in the years 1660–1750. It identifies three modes of interaction between musical and philosophical ideas: music as object of philosophy, music as inspiration for philosophy, and music as corroboration for philosophy.
But the latter work makes reference to an article, La musique dans mon vie et mon oeuvre, a lecture he delivered in Vienna in 1959, that turned out to be a significantly richer source. And if one turns to his bibliography, one discovers that, as a music critic, Marcel published over 100 items on music--including Musique dans mon vie!
Tomás McAuley is Assistant Professor of Music and Ad Astra Fellow at University College Dublin. Previously, he held postdoctoral positions at the University of Cambridge (British Academy Postdoctoral Fellowship) and Indiana University, and from 2010 to 2018 served as Founding Chair of the Royal Musical Association Music and Philosophy Study Group.
