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  1. Title: Dada Works and Entr'actesLabel: LTMProduct Type: COMPACT DISCSCD collection of Dada-related works by French avant garde composer Erik Satie (1866-1925) including scores for Francis Picabia, Tristan Tzara, Kurt Schwitters and Rene Clair.

  2. CD collection of Dada-related works by French avant garde composer Erik Satie (1866-1925) including scores for Francis Picabia, Tristan Tzara, Kurt Schwitters and Rene Clair. Was a sworn enemy of the Surrealist faction lead by Andre Breton. According to Man Ray, Satie was the only composer who had eyes.

  3. 4 de mai. de 2024 · Erik Satie - Art Works 1892-1924 (2023) Four CD set. Les Disques du Crepuscule presents a comprehensive anthology by visionary French avant-garde composer Erik Satie, collecting together piano works associated with the Dada, Cubist and Surrealist art movements, as well as his celebrated musique d'ameublement (furniture music) written between ...

  4. 15 de set. de 2020 · Je reviendrai sur ce sujet. En 1924, Érik Satie participe au film de René Clair — Entr’acte — projeté à l’entracte du ballet Relâche [ 17] dit « instantanéiste » (rien avant, rien après et, entre les deux : mystère) de Francis Picabia. Érik Satie devient une icône DADA (plus tard récupérée par André Breton qui détestait ...

  5. 21 de abr. de 2023 · Erik Satie - Art Works 1892-1924. Les Disques du Crepuscule presents a comprehensive 4 disc CD anthology by visionary French avant-garde composer Erik Satie, collecting together piano works associated with the Dada, Cubist and Surrealist art movements, as well as his celebrated musique d'ameublement (furniture music) written between 1917 and 1923.

  6. A collection of Dada-related works by French avant-garde composer Erik Satie (1866-1925) including music used by Francis Picabia, Tristan Tzara, Kurt Schwitters and René Clair.

  7. 11 de out. de 2016 · A classic of avant-garde cinema, 'Entr'acte' was made as an intermission for the Ballets Suédois production of Relâche, a Dada theater work that premiered in Paris in December of 1924. The ballet's director, Francis Picabia, gave René Clair a short scenario around which to build the film, and Erik Satie composed an original score to accompany it. But the finished work is "pure" cinema ...