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Djuna Barnes (ur. 12 czerwca 1892 okolice Cornwall-on-Hudson, zm. 18 czerwca 1982 w Nowym Jorku) – amerykańska pisarka, która odegrała istotną rolę w rozwoju XX-wiecznego anglojęzycznego modernizmu literackiego [1] .
Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna--a world in which the boundaries of class, religion, and sexuality are ...
Djuna Barnes (Cornwall-on-Hudson, 1892. június 12. – Greenwich Village, 1982. június 18.) amerikai művész, illusztrátor, újságíró és író, aki talán leginkább Nightwood (1936) című regényéről ismert, amely a leszbikus szépirodalom kultikus klasszikusa és a modernista irodalom fontos alkotása. [4]
Nightwood, Djuna Barnes's strange and sinuous tour de force novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna - a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.
Djuna Barnes, Thomas Stearns Eliot. New Directions, 1961 - Fiction - 170 pages. Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent ...
26 de set. de 2006 · In a way Barnes has followed through with Nora’s plot by giving Robin/Thelma something she would never be able to forgive. In truth Thelma Wood never spoke to Djuna Barnes again after she read Nightwood, so the idea of the two meeting again as strangers did not work out for the author.
1 de ago. de 1995 · We need as much of Djuna Barnes' writing available as possible." -- Harvey Pekar, Chicago Tribune 11-26-95 "[Nightwood possesses] the great achievement of a style, the beauty of phrasing, the brilliance of wit and characterisation, and a duality of horror and doom very nearly related to that of Elizabethan tragedy."
- Djuna Barnes
