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  1. 北方ルネサンス (ほっぽうルネサンス、 蘭: Noordelijke renaissance 、 英: Northern Renaissance )は、狭義には 北ヨーロッパ での ルネサンス運動 を指し、広義では イタリア 以外での ヨーロッパ におけるルネサンス運動全体を指す美術史用語。. 1450年終わりになる ...

  2. The Northern Lights (whiskey), a blended Canadian whisky. Northern Lights suplex, a move in professional wrestling. Northern Lights, a codename an eMac computer model. County of Northern Lights, a municipal district in Alberta, Canada. Operation Northern Lights, a 2006 U.S. military operation in Iraq.

  3. Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...

  4. Renaissance humanism in Northern Europe. Renaissance humanism came much later to Germany and Northern Europe in general than to Italy, and when it did, it encountered some resistance from the scholastic theology which reigned at the universities. Humanism may be dated from the invention of the printing press about 1450.

  5. en.wikipedia.org › wiki › ErasmusErasmus - Wikipedia

    Through his vast number of translations, books, essays, prayers and letters, he is considered one of the most influential thinkers of the Northern Renaissance and one of the major figures of Dutch and Western culture. He was an important figure in classical scholarship who wrote in a spontaneous, copious and natural Latin style.

  6. Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was a master painter who, along with Jan van Eyck, initiated the development of Early Netherlandish painting, a key development in the early Northern Renaissance.

  7. Veit Stoss. Veit Stoss was a leading German sculptor, mostly working in wood, whose career covered the transition between the late Gothic and the Northern Renaissance. His style emphasizes pathos, often conveyed by tilted heads, downcast eyes, expressive or introspective countenances, and dynamic poses.