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16 de jan. de 2023 · Lisztomania swept across Europe. Despite their obvious sensationalism, Liszt's concerts in the 1840s established the format of our modern-day piano recital. He was the first to play entire programs from memory (not reading from music).
1 de out. de 2011 · Lisztomania est un film réalisé par Ken Russell avec Roger Daltrey, Ringo Starr. Synopsis : Franz Liszt est un virtuose du piano reconnu dans le monde entier. Sa vie sentimentale, jusqu'à ...
Lisztomania: Uma Explosão de Sentimentos e Cultura Pop. A música 'Lisztomania' da banda francesa Phoenix é uma mistura vibrante de indie pop e rock alternativo que captura a essência da nostalgia e do desapego emocional. O termo 'Lisztomania' refere-se a uma histeria em massa que ocorreu no século XIX em torno do compositor e pianista ...
4 de mai. de 2023 · Liszt koncertteremben, Theodor Hosemann, 1842. In the mid-19th century, an extraordinary phenomenon was seen across Europe called “Lisztomania,” which was a term used to describe the intense enthusiasm and adoration that fans had for the Hungarian composer and pianist Franz Liszt. It was a cultural and social trend that had a profound ...
Lisztomanie. La lisztomanie (en anglais : Lisztomania) est la frénésie intense éprouvée par les admirateurs de Franz Liszt lors de ses performances. Cette frénésie s'est produite pour la première fois à Berlin en 1841 et le terme a ensuite été inventé par Heinrich Heine dans un feuilleton qu'il a écrit le 25 avril 1844 au sujet de ...
A „lisztománia” születése. Heinrich Heine 1844 áprilisában megjelent Musikalische Berichte aus Paris című művében használta először a „lisztománia” kifejezést, amivel leírta a Lisztet a koncertjein körülvevő tömeghisztériát és extázist. A Liszt Ferenc iránti mértéktelen rajongás tehát az 1840-es években ...
In the history of music, few artists have caused as much of a stir as Franz Liszt, the 19th-century Hungarian virtuoso pianist and composer. His talent and skills as a performer gave rise to a unique phenomenon known as “Lisztomania.”. This term was used to describe the public’s obsession and collective hysteria surrounding Liszt’s persona.
