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Sir Joshua Reynolds (Plympton, 16 luglio 1723 – Londra, 23 febbraio 1792) è stato un pittore inglese, uno dei più importanti e influenti pittori del XVIII secolo in Gran Bretagna e uno dei fondatori della Royal Academy of Arts.
Sir Joshua Reynolds PRA FRS FRSA (16 de julho de 1723 – 23 de fevereiro de 1792) foi um pintor inglês especializado em retratos. John Russell disse que foi um dos principais pintores europeus do século XVIII. Ele promoveu o "Grand Style" na pintura que dependia da idealização do imperfeito. Ele foi um dos fundadores e primeiro presidente ...
Joshua Reynolds - Reynolds, Sir Joshua. Museo Nacional Thyssen-Bornemisza. The present canvas entered the Thyssen-Bornemisza collection in 1930 and was included in the exhibition held at the Neue Pinakothek in Munich that year. In the catalogue of that exhibition the canvas is described as an original work by Reynolds, but only basic details of ...
When George III was asked by Lord Eglinton to sit for the most fashionable portrait painter of the day, Joshua Reynolds, he replied: ‘Mr Ramsay is my painter, my Lord.’ Reynolds tried to gain royal notice with two speculative ventures – a portrait of George III as Prince of Wales (OM 1011, 401034) and an oil sketch for a depiction of his marriage to Queen Charlotte (OM 1012, 404353 ...
Jul 16, 1723 - Feb 23, 1792. Sir Joshua Reynolds PRA FRS FRSA was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of ...
Giovanna Perini Sir Joshua Reynolds in Italia (1750-1752): Passaggio in Toscana. Il taccuino 201 a 10 del British Museum. Quaderni - Fondazione Carlo Marchi 45, Florence: Leo S. Olschki, 2012. Giovanna Perini "Sir Joshua Reynolds and Italian Baroque Sculpture." The Eternal Baroque: Studies in Honour of Jennifer Montagu.
Joshua Reynolds - Reynolds (copia), Sir Joshua . Museo Nacional Thyssen-Bornemisza. Este lienzo lleva vinculado a la colección Thyssen-Bornemisza desde 1930, cuando participó en la exposición de Múnich de la Neue Pinakothek. El catálogo de esa muestra, donde la obra estaba asignada a Reynolds como original, se limitó a facilitar datos ...
