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Guido Reni (Bolonha, 4 de novembro de 1575 — 8 de agosto de 1642) foi um proeminente pintor do Barroco italiano. Formado inicialmente em música pelo pai, Daniele Reni, musicista a serviço da Signoria de Bolonha, Guido estuda pintura de 1584 a 1593 no ateliê do pintor flamengo Denis Calvaert, já então há muito instalado em Bolonha.
Biographie Jeunesse. Reni naît à Bologne dans l'actuel Palazzo Ariosti, au 3 de la via San Felice, dans une famille de musiciens. Guido Reni est le seul enfant de Daniele Reni, musicien et professeur de la chapelle de l'église San Giacomo Maggiore de Bologne (et non la basilique San Petronio de Bologne, comme certains auteurs plus tard l'affirmèrent), et de Ginevra Pozzi, issue aussi d'une ...
Assumption of the Virgin (1627) by Guido Reni Assumption of the Virgin is a 1627 oil on canvas painting by Guido Reni in the church of Santa Maria Assunta in Castelfranco Emilia . A later version is now in Lyon, whilst another is in the Alte Pinakothek in Munich, whilst treatments of the Immaculate Conception are now in San Biagio in Forlì and the Metropolitan Museum of Art in New York.
This delicate work on copper is closely associated with a drawing in the Musée du Louvre, Paris, formerly called 'Italian, 17th century', but fully attributed to Reni by Catherine Johnston in her thesis of 1974 and accepted as such ever since. 1 The compositions differ only slightly in the position of the curtain and the two putti included in the painting, and the inclination of Saint Francis ...
Michael the Archangel Defeats Satan (1635) by Guido Reni. The first chapel on the right has a dramatic altarpiece of St. Michael the Archangel Defeating Satan (c.1635) by Guido Reni and Christ Mocked by Gerard van Honthorst. Two of the most important and noble families of Rome were the rival Barberini and the Pamphilj.
Guido Reni (Bolognese, 1575 - 1642 ), Head of Saint Francis, before c. 1632, black, red and white chalk on blue laid paper, Ailsa Mellon Bruce Fund 1972.5.1 Kratek naslov R-20100106-0044.jpg
Aunque Guido Reni se encontraba en Roma en ese momento, había estado compitiendo con Ludovico, su antiguo maestro, por diferentes trabajos desde 1597-98, cuando abandonó el taller de los Carracci. En 1600, por ejemplo, Guido había intentado arrebatar a Ludovico el encargo de un Nacimiento de san Juan Bautista para la iglesia y el convento de San Giovanni Battista, en Bolonia, sin éxito.
