Resultado da Busca
Music : Satô Masaru
- 3 min
- 13,2K
- Fred Cambon
21 de jan. de 2019 · As much as camera movement is important to the storytelling of a film, blocking plays an equally vital role in communicating points of focus and attention. W...
- 14 min
- 415,3K
- CineFix - IGN Movies and TV
27 de nov. de 2013 · It is the sort of house which would be owned by someone trying too hard to be accepted by the elites. As it is very modern, it presumably did not come as part of his wife’s dowry. But a sub-feature of the house caught my eye, and is given very high prominence in the second from last major scene. When the police arrive to find that the ...
11 de set. de 2008 · He will be! He will leave the room and live. It’s Takeuchi who, being “rescued” from confrontation with himself and reality who is actually being locked up within himself. A note on the Burakumin issue-maybe we should see Gondo not so much as buraku, but as “pull-yourself up from your bootstraps”.
A masterclass in tension and incisive social commentary, Akira Kurosawa’s sharp hybrid of chamber drama and police procedural is unquestionably one of the most dazzling thrillers ever made. Each immaculately composed shot is a rich evocation of the class conflict set forth in the film’s title.
18 de jan. de 2023 · High and Low sits as part of a pair with Stray Dog (1949), Kurosawa’s occupation-era police procedural in which Mifune’s police officer Murakami embarks on a quest through the stifling heat and broken landscapes of postwar Tokyo in the height of summer in search of the anonymous killer who has robbed him of his service revolver in a crowded streetcar at the beginning of the film.
Of the four Akira Kurosawa films I've seen so far, High and Low is definitely my favorite. For a film that is nearly 60 years old, it feels quite modern. Suppose that goes to show that it has been influential on film as a whole.
