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The Northern RenaissanceSpread of Humanism.In the final quarter of the fifteenth century humanism's influence began to spread beyond Italy, into France, Germany, Spain, the Netherlands, and England. The timing of the arrival of this New Learning differed from place to place. In most countries pockets of scholars active in the first half of the ...
Artists began to make individual prints, and series of prints for the mass market, leading to aesthetic independence of subject matter and style. Around 1500 knowledge of the Italian Renaissance began to have an impact on Northern European art, at first primarily through Albrecht Dürer, a master printmaker, engraver, draughtsman, and painter.
Characteristics of the Northern Renaissance. The Northern Renaissance is best characterized by the genres of art, music, and especially philosophy. Humanism profoundly impacted the north leading to questions about how to use classical works to improve society. Renaissance humanism was a school of thought that brought back Greek and Roman ideas.
Direct versus Indirect Casting of Small Bronzes in the Italian Renaissance; Domestic Art in Renaissance Italy; European Tapestry Production and Patronage, 1400–1600; Filippino Lippi (ca. 1457–1504) Genre Painting in Northern Europe; Mannerism: Bronzino (1503–1572) and his Contemporaries; Music in the Renaissance
El Greco’s most famous painting, The Burial of the Count of Orgaz (1586–88) blends his signature style with the classical revival of the Renaissance and medieval renderings of the body. The lower register represents the earthly plane in which mourners gather for the count’s burial.
Welcome to the Journal of the Northern Renaissance, a member of the Radical Open Access Collective. JNR is a peer-reviewed, open-access journal dedicated to the study of the full variety of early modern Northern European cultural practices. We place a special emphasis upon questioning the derivation of our inherited paradigms and upon exploring ...
Jan van Eyck’s Rolin Madonna presents a series of objects and surfaces: a fur-lined damask robe, ceramic tiles, a golden crown, stone columns, warm flesh, flowers, translucent glass, and a reflective body of water. Even the air above the distant river seems palpable. The painting is a careful study of how light reacts to the varying textures.
