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  1. 17 de abr. de 2024 · painting: Self-portrait of Sir Thomas Lawrence P.R.A. Royal Academy of Arts: 03/950 1825 oil paint canvas: self-portrait: Thomas Lawrence: painting: Arthur Wellesley (1769–1852), 1st Duke of Wellington: Apsley House: WM.1567-1948 WM 1567 180s oil paint canvas: portrait: Neoclassical painting: Arthur Wellesley, 1st Duke of Wellington: painting

  2. Bestellen Kunstreproduktionen LES ENFANTS DE JOHN ANGERSTEIN von Thomas ... DE JOHN ANGERSTEIN von Thomas Lawrence | Most-Famous-Paintings.com +1 (707 ...

  3. Lawrence was the most fashionable and also the greatest portraitist of his generation. He was made Principal Painter to George III in 1792 after Reynolds’s death, and received occasional commissions; however it was only after 1814 that George IV began to employ him in earnest.This is the coronation portrait of George IV painted in 1821 and recording the extraordinary robes designed by the ...

  4. Sir Thomas Lawrence. (1769-1830), Portrait painter, collector and President of the Royal Academy. Regency Portraits Catalogue Entry. Sitter in 25 portraits. Artist associated with 700 portraits. Beginning as a child prodigy working in pastels, the gifted Lawrence eventually succeeded Reynolds as Britain's greatest portrait painter, With the ...

  5. Bestellen Kunstreproduktionen LES ENFANTS DE JOHN ANGERSTEIN von Thomas ... DE JOHN ANGERSTEIN von Thomas Lawrence | Most-Famous-Paintings.com +1 (707 ...

  6. Sir Thomas Lawrence PRA FRS (* 13. April 1769 in Bristol; † 7. Januar 1830 in London) war ein englischer Maler. Thomas Lawrence begann als Wunderkind mit dem Zeichnen in Devizes, wo sein Vater Wirt war. Als Zehnjähriger zog er nach Bath, wo er durch William Hoare (1707–1792) ausgebildet wurde und mit Kreideporträts zum Unterhalt seiner ...

  7. 31 de dez. de 2023 · Thomas Lawrence. (Born Bristol, 13 April 1769; died London, 7 January 1830). The outstanding English portrait painter of his generation. Lawrence was a child prodigy and was almost entirely self-taught. He was also handsome and charming, and after a resounding early triumph with his portrait of Queen Charlotte (1789–90, NG, London) he never ...