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Site for Francis Beaumont, seventeenth-century Renaissance playwright and cavalier poet. to English Renaissance Drama: to English Literature: Early 17th Century:
1 de mai. de 2017 · An entry from the Docquet, calendared with the State Papers, Domestic, of November 14, 1607, may indicate that John Beaumont, the brother of Francis, though a Protestant, had in some way manifested sympathy with his Catholic relatives during the persecutions which followed the discovery of the Gunpowder Plot:—"Gift to Sir Jas. Sempill of the King's two parts of the site of the late dissolved ...
'''Francis Beaumont''' (1584– 6 March 1616) was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher. Beaumont was the son of Sir Francis Beaumont of Grace Dieu, near Thringstone in Leicestershire, a justice of the common pleas.
The Dramatic Canon. The respective shares of Francis Beaumont and John Fletcher in the traditional Beaumont and Fletcher canon have always been a subject of scholarly debate, as also have the possible contributions made by Chapman, Jonson, Massinger, Middleton, Shakespeare, Tourneur, and others. For discussions of the canon, see, inter alia ...
Francis Beaumont. Francis Beaumont (1584 – 6 marzo 1616) è stato un drammaturgo e poeta inglese.. Figlio di un giudice, studiò presso il Pembroke College di Oxford senza però conseguire il titolo di studio: la morte del padre, avvenuta nel 1598, lo obbligò a seguirne la carriera, studiando due anni dopo nella Inner Temple di Londra.
Francis Beaumont (Grace Dieu, Leicestershire, 1584-Londres, 1616) fue un poeta y dramaturgo renacentista inglés, famoso sobre todo por sus colaboraciones con John Fletcher. Vida [ editar ] Beaumont fue hijo del jurista Sir Francis Beaumont de Grace Dieu, Leicestershire .
12 de jun. de 1999 · Generally acknowledged to be the most powerful of Beaumont and Fletcher’s plays and frequently performed by the best actors of the seventeenth and early eighteenth century, The Maid’s Tragedy (1610-11) disappeared from the stage (except in a much-altered and very successful Victorian adaptation) until recent years, when major companies have rediscovered its appeal.
